学位英语考试内部押题A卷.docx

上传人:b****3 文档编号:11495505 上传时间:2023-06-01 格式:DOCX 页数:13 大小:24.53KB
下载 相关 举报
学位英语考试内部押题A卷.docx_第1页
第1页 / 共13页
学位英语考试内部押题A卷.docx_第2页
第2页 / 共13页
学位英语考试内部押题A卷.docx_第3页
第3页 / 共13页
学位英语考试内部押题A卷.docx_第4页
第4页 / 共13页
学位英语考试内部押题A卷.docx_第5页
第5页 / 共13页
学位英语考试内部押题A卷.docx_第6页
第6页 / 共13页
学位英语考试内部押题A卷.docx_第7页
第7页 / 共13页
学位英语考试内部押题A卷.docx_第8页
第8页 / 共13页
学位英语考试内部押题A卷.docx_第9页
第9页 / 共13页
学位英语考试内部押题A卷.docx_第10页
第10页 / 共13页
学位英语考试内部押题A卷.docx_第11页
第11页 / 共13页
学位英语考试内部押题A卷.docx_第12页
第12页 / 共13页
学位英语考试内部押题A卷.docx_第13页
第13页 / 共13页
亲,该文档总共13页,全部预览完了,如果喜欢就下载吧!
下载资源
资源描述

学位英语考试内部押题A卷.docx

《学位英语考试内部押题A卷.docx》由会员分享,可在线阅读,更多相关《学位英语考试内部押题A卷.docx(13页珍藏版)》请在冰点文库上搜索。

学位英语考试内部押题A卷.docx

学位英语考试内部押题A卷

学位英语考试内部押题A卷

1、本次考试试卷有试题册(试卷一)和答题纸(AnswerSheet)两种,答题时间为120分钟。

2、请考生用钢笔在AnswerSheet上写上姓名、学号、专业班级。

3、请考生在AnswerSheet上答题,写在试题册上的答案一律作废。

4、选择题每题只能选一个答案,多选作废。

选定答案后,在AnswerSheet中找到相应题号,将答案对应字母(A\B\C\D)填写在题号后的括号里。

注意保持字迹清晰工整,容易识别。

由于字迹潦草、答案模棱两可甚至无法识别者,一律判为0分,责任由考生本人负责。

5、简答题、翻译和作文等主观题部分的答题请考生用钢笔书写在AnswerSheet指定位置上。

6、考试结束,考生不得将试题册和答题纸带出考场。

请把试题册和答题纸分别上交监考老师。

Test15

PartI.SituationalConversations(10%)

Directions:

Inthispart,therearetenshortincompletedialoguesbetweentwospeakers,eachfollowedbyfourchoicesmarkedA,B,CandD.Choosetheonethatmostappropriatelysuitstheconversationalcontextandbestcompletesthedialogue.MarkyouranswerontheANSWERSHEETwithasinglelinethroughthecenterofthecorrespondingletter.

1.Vivian:

Christina!

Ihaven’tseenyouforages.Howareyou

Christina:

Fine.Andyou

Vivian:

Prettygood.How’sChristopher

Christina:

Oh,don’tyouknowWegotdivorcedtwoyearsago.

Vivian:

__________

A.Hopeyou’llbebetter.B.Itisreallyaproblem.

C.Whatapity!

D.Oh,I’msorry.

2.Richard:

Howmuchisittorentaneconomycar

 Tina:

$15.00adayor$95.00aweek,unlimitedmileage.

 Richard:

CouldIhaveonefortomorrowmorning

 Tina:

___________________________

Richard:

Sure.Hereitis.

 Tina:

Good.Nowjustcompletethisform,please.

 A.Couldyoupleaseshowmeyourphonenumber,please

 B.Canyoutellmeyouraddress,please

 C.Doyouhaveyourdriver'slicense

D.MayIhaveyourname,please

3.Harry:

_______

Elizabeth:

I’manengineer.

Harry:

Oh,areyou

Elizabeth:

Howaboutyou

Harry:

Iworkforatradingcompany.

A.WhatareyoudoingB.Howdoyoudo

C.WhatdoyoudoD.Howareyoudoing

4.Johnson:

DoyoumindifIputsomeofmythingsinyourroomovernight

 Pamela:

______.

 Johnson:

That’sgreat.Theyarepaintingthewallsinmyroom.

 A.No,youarewelcome.  B.Sure,mypleasure.

 C.Sure,youarealwaysthebest.  D.No,notatall.

5.Customer:

_________ifyou’dservemeasquicklyaspossibleasI’vegotanappointmentattwofifteen.

Shopkeeper:

I’lldomybest,Madam.

A.I’dbemostgratefulB.I’dbemostdelightful

C.It’wouldbeveryhelpfulD.Itwouldbeverykindofyou

6.Paul:

GodownMainStreetandturnleftatthefirstcorner.Thenwalktwoblocksandyou'llseethelibraryjustinfrontofyou.

   Janet:

_____________________

   Paul:

That'sright.

   A.MainStreet,firstleft,twoblocks.Right   B.Iswhatyou'resayingright

   C.DoyouthinkIcanfindthelibraryeasilyD.Thelibraryontheright

7.Guest:

_________.

Clerk:

Certainly.Doyouhaveareservation

Guest:

Yes.ThenameisGreen.Mr.andMrs.Green.

Clerk:

Hereweare.Forfivenights.Couldyoufillintheregistrationcard,pleaseAndI’llneedyourcreditcard.

A.I’dliketostayin,pleaseB.I’dliketocheckin,please

C.I’dliketorentaroom,pleaseD.I’dliketoresthere,please

8.SpeakerA:

Doyouthinkyourbosswillexpectyoutoworklateagaintonight?

 SpeakerB:

___________.

A. Suchhasneverbeenthecasewithmyboss.             

B.Doesthesuncomeupinthewest?

C. Howcanweworklateforourboss            

D. ToworklateagaintonightMybosshasneverdonesuchafoolishthing.

9.Jack:

IhaveapairofticketsforaconcertSundaynight.Wouldyouliketogo

Wendy:

Idon’tthinkso.__________.

A.I’mnotveryanxiousaboutconcertB.I’mnotveryexcitedaboutconcert

C.I’mnottoointerestedaboutconcertD.I’mnottoowildaboutconcert

10.Customer:

HaveyougotMichelJackson’slatestCDalbum?

 Salesman:

______.

A.No.Idon'tcareforsinger'sphotographs. B.No.Ithasbeensoldout.

C.Yes.Theydon'thaveitanymore. D.Yes.Ican'taffordone

PartIIReadingComprehension(40%)

SectionA

Directions:

Thereare3passagesinthispart.Eachpassageisfollowedbysomequestionsorunfinishedstatements.ForeachofthemtherearefourchoicesmarkedA),B),C)andD).YoushoulddecideonthebestchoiceandwritethecorrespondingletterontheAnswerSheet.(30%)

PassageOne

Questions11to15arebasedonthefollowingpassage:

Risingglobalcarbondioxidelevelstiedtoglobalwarmingmaynotbeascrucialindeterminingthecompositionofplantcommunitiesasother,localizedclimatechanges.

  “Nobodyreallyknowswhattheincreasesincarbondioxidearegoingtoentailintermsoffuturechangesinvegetationtypes,”saidMarkBrenner,aUniversityofFloridaassistantprofessorofpaleontology,thestudyofancientlakes.“Itlookslikeclimatechangesindifferentareasmaybemoreimportantthancarbondioxide,atleastcarbondioxidebyitself,”hesaid.

  Brenner’sresearchteambasedtheirconclusionsonananalysisofsedimentfromtwolakebottoms,oneinnorthernMexicoandoneinnorthernGuatemala.Theresearchersusednewtechniquesthatallowedthemtoanalyzeonlytheremainsoflandplants,specificallytheirleafwaxes.Bymeasuringthecompositionoftheleafwaxes,theresearcherswereabletodistinguishtwobroadcategoriesofplantslivingintheseareas---so-calledC3andC4plants,whichhavedifferentphotosyntheticprocesses.ManyC4plantsaretropicalgrasses,whilemosttropicaltreesareC3plants.Theresearchersanalyzedsedimentsdepositedoverthelast27,000years,fromthelasticeagetothecurrentgeologicalperiod.Overthisperiod,therewasaworldwide,relativelyuniformincreaseinatmosphericcarbondioxideconcentrations.

  Brennersaidthatifcarbondioxideplayedthemajorroleindeterminingplantcomposition,onewouldassumethatanalysisofthesedimentswouldrevealverysimilarchangesinrelativeabundanceofC3andC4plantsinthetwoplacesoverthestudyperiod.But,infact,theresearchersfoundthattrendsinthetwotypesofplantsweredifferentatthetwolocations.Thechangeswererelatednotwithcarbondioxidelevels,butwithshiftsinrainfall.“Theresultappearstobethatclimatefactors,especiallymoistureavailability,determinewhetherC4orC3plantsdominateinanarea,notcarbondioxide,”Brennersaid.

Manyscientistsbelieveglobalwarmingwillcausemajorvariationinlocalclimatesworldwide,withsomewetareasbecomingdryanddryareasbecomingwet.Ifthathappens,itcouldhavemoreimpactonrelativeC3versusC4plantdistributionthantherisingcarbondioxidelevels.

11.Whatcanbeinferredinthefirstparagraph

  A).Climatechangesaremoreimportanttothecompositionofplantcommunitiesthanrisingglobalcarbondioxide.

  B).Localizedclimateshiftsmaynotbeascrucialascarbondioxide.

  C).Nobodyknowswhichoneisimportant.

  D).Carbondioxidelevelsiscrucialtotheglobalwarming.

12.WhatisMarkBrenner

  A).Hestudiesco-author’sopinion.

  B).HeisassistingtheUniversityofFlorida.

  C).Heisanexpertinthefieldofancientlakes.

  D).Hisresearchteamcomposedofsixgeologistsandgeographers.

13.Accordingtothethirdparagraph,whichoneisNOTtrue

  A).TropicalgrassesareusuallyC4plants.

  B).C3andC4plantsusedtoliveinnorthernMexicoandGuatemala.

  C).C3andC4plantsdon’thavethesameprocesses.

  D).TropicaltreesareallC3plants.

14.Why,inthe4thparagraph,theresearchersfoundthattrendsinC3andC4plantsweredifferentatthetwolocations

  A).Theassumptionthatcarbondioxideplayedthemajorroleiswrong.

  B).Thecarbondioxideplayedanimportantrole.

  C).Themoistureavailabilitywasdifferent.

  D).Thecarbondioxidelevelwasdifferent.

15.What’sthemainideaofthepassage

A).Climatesfactorsdeterminetheplantdistributionandcompositionofplantcommunities.

  B).Globalwarmingwillcausemajorvariation.

  C).HowhasBrenner’sresearchteamprovedatruth.

D).C3andC4plantsareimportantplantsindeterminingthecompositionofplantcommunities.

PassageTwo

Questions16to20arebasedonthefollowingpassage:

Betweenabout1910and1930,newartisticmovementsinEuropeanartweremakingthemselvesfeltintheUnitedStates.AmericanartistsbecameacquaintedwiththenewartontheirtripstoParisandattheexhibitionsinthefamousNewYorkgallery"291"(namedafteritsaddressonFifthAvenue)ofthephotographerAlfredStieglitz.ButmostimportantinthespreadofthemodernmovementsintheUnitedStateswasthesensationalArmoryShowof1913heldinNewYork,inwhichtheworksofmanyoftheleadingEuropeanartistswereseenalongwiththeworksofanumberofprogressiveAmericanpainters.

SeveraloftheAmericanmodernistswhowereinfluencedbytheArmoryShowfoundtheurbanlandscape,especiallyNewYork,anappealingsubject.Comparedwiththeworksoftherealistpainters,theworksofAmericanmodernistsweremuchfurtherremovedfromtheactualappearanceofthecity;theyweremoreinterestedinthe"feel"ofthecity,moreconcernedwiththemeaningbehindappearance.However,boththepaintersofthe"AshCanSchool"andthelaterrealistswerestilltiedtonineteenthcenturyorearlierstyles,whiletheearlymodernistssharedintheinternationalbreakthroughsoftheartofthetwentiethcentury.

ThegreatestofthesebreakthroughswasCubism,developedmostfullyinFrancebetween1907and1914,whichbroughtaboutamajorrevolutioninWesternpainting.ItoverturnedtherationaltraditionthathadbeenbuiltuponsincetheRenaissance(文化复兴)-InCubism,naturalformswerebrokendownanalyticallyintogeometricshapes.Nolongerwasacleardifferentiationmadebetweenthefigureandthebackgroundofapainting:

theobjectsrepresentedandthesurfaceonwhichtheywerepaintedbecameone.TheCubistsabandonedtheconventionalsinglevantage(优越的地位)pointoftheviewer,andobje

展开阅读全文
相关资源
猜你喜欢
相关搜索
资源标签

当前位置:首页 > 表格模板 > 合同协议

copyright@ 2008-2023 冰点文库 网站版权所有

经营许可证编号:鄂ICP备19020893号-2