奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿（共28页）18700字.docx

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿（共28页）18700字.docx

《奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿（共28页）18700字.docx》由会员分享，可在线阅读，更多相关《奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿（共28页）18700字.docx（17页珍藏版）》请在冰点文库上搜索。

奥斯卡最佳导演詹姆斯·卡梅隆TED英文演讲稿

　　以下这篇由应届毕业生演讲稿网站整理提供的是《阿凡达》、《泰坦尼克号》的导演詹姆斯·卡梅隆（jamescameron）的一篇ted演讲。

在这个演讲里，卡梅隆回顾了自己从电影学院毕业后走上导演道路的故事。

卡梅隆告诉你，不要畏惧失败，永远不要给自己设限。

更多演讲稿范文，欢迎访问应届毕业生演讲稿网站!

　　igrewuponasteadydietofsciencefiction.inhighschool,itookabustoschoolanhoureachwayeveryday.andiwasalwaysabsorbedinabook,sciencefictionbook,whichtookmymindtootherworlds,andsatisfied,inanarrativeform,thisinsatiablesenseofcuriositythatihad.

　　andyouknow,thatcuriosityalsomanifesteditselfinthefactthatwheneveriwasn'tinschooliwasoutinthewoods,hikingandtaking"samples"--frogsandsnakesandbugsandpondwater--andbringingitback,lookingatitunderthemicroscope.youknow,iwasarealsciencegeek.butitwasallabouttryingtounderstandtheworld,understandthelimitsofpossibility.

　　andmyloveofsciencefictionactuallyseemedmirroredintheworldaroundme,becausewhatwashappening,thiswasinthelate'60s,weweregoingtothemoon,wewereexploringthedeepoceans.jacquescousteauwascomingintoourlivingroomswithhisamazingspecialsthatshowedusanimalsandplacesandawondrousworldthatwecouldneverreallyhavepreviouslyimagined.so,thatseemedtoresonatewiththewholesciencefictionpartofit.

　　andiwasanartist.icoulddraw.icouldpaint.andifoundthatbecausethereweren'tvideogamesandthissaturationofcgmoviesandallofthisimageryinthemedialandscape,ihadtocreatetheseimagesinmyhead.youknow,wealldid,askidshavingtoreadabook,andthroughtheauthor'sdescription,putsomethingonthemoviescreeninourheads.andso,myresponsetothiswastopaint,todrawaliencreatures,alienworlds,robots,spaceships,allthatstuff.iwasendlesslygettingbustedinmathclassdoodlingbehindthetextbook.thatwas--thecreativityhadtofinditsoutletsomehow.

　　andaninterestingthinghappened:

thejacquescousteaushowsactuallygotmeveryexcitedaboutthefactthattherewasanalienworldrighthereonearth.imightnotreallygotoanalienworldonaspaceshipsomeday--thatseemedprettydarnunlikely.butthatwasaworldicouldreallygoto,righthereonearth,thatwasasrichandexoticasanythingthatihadimaginedfromreadingthesebooks.

　　so,idecidediwasgoingtobecomeascubadiverattheageof15.andtheonlyproblemwiththatwasthatilivedinalittlevillageincanada,600milesfromthenearestocean.butididn'tletthatdauntme.ipesteredmyfatheruntilhefinallyfoundascubaclassinbuffalo,newyork,rightacrosstheborderfromwherewelive.andiactuallygotcertifiedinapoolataymcainthedeadofwinterinbuffalo,newyork.andididn'tseetheocean,arealocean,foranothertwoyears,untilwemovedtocalifornia.

　　sincethen,intheintervening40years,i'vespentabout3,000hoursunderwater,and500hoursofthatwasinsubmersibles.andi'velearnedthatthatdeep-oceanenvironment,andeventheshallowoceans,aresorichwithamazinglifethatreallyisbeyondourimagination.nature'simaginationissoboundlesscomparedtoourownmeagerhumanimagination.istill,tothisday,standinabsoluteaweofwhatiseewhenimakethesedives.andmyloveaffairwiththeoceanisongoing,andjustasstrongasiteverwas.

　　butwhenichoseacareerasanadult,itwasfilmmaking.andthatseemedtobethebestwaytoreconcilethisurgeihadtotellstorieswithmyurgestocreateimages.andiwas,asakid,constantlydrawingcomicbooks,andsoon.so,filmmakingwasthewaytoputpicturesandstoriestogether,andthatmadesense.andofcoursethestoriesthatichosetotellweresciencefictionstories:

"terminator,""aliens"and"theabyss."andwith"theabyss,"iwasputtingtogethermyloveofunderwateranddivingwithfilmmaking.so,youknow,mergingthetwopassions.

　　somethinginterestingcameoutof"theabyss,"whichwasthattosolveaspecificnarrativeproblemonthatfilm,whichwastocreatethiskindofliquidwatercreature,weactuallyembracedcomputergeneratedanimation,cg.andthisresultedinthefirstsoft-surfacecharacter,cganimationthatwaseverinamovie.andeventhoughthefilmdidn'tmakeanymoney--barelybrokeeven,ishouldsay--iwitnessedsomethingamazing,whichisthattheaudience,theglobalaudience,wasmesmerizedbythisapparentmagic.

　　youknow,it'sarthurclarke'slawthatanysufficientlyadvancedtechnologyisindistinguishablefrommagic.theywereseeingsomethingmagical.andsothatgotmeveryexcited.andithought,"wow,thisissomethingthatneedstobeembracedintothecinematicart."so,with"terminator2,"whichwasmynextfilm,wetookthatmuchfarther.workingwithilm,wecreatedtheliquidmetaldudeinthatfilm.thesuccesshunginthebalanceonwhetherthateffectwouldwork.anditdid,andwecreatedmagicagain,andwehadthesameresultwithanaudience--althoughwedidmakealittlemoremoneyonthatone.

　　so,drawingalinethroughthosetwodotsofexperiencecameto,"thisisgoingtobeawholenewworld,"thiswasawholenewworldofcreativityforfilmartists.so,istartedacompanywithstanwinston,mygoodfriendstanwinston,whoisthepremiermake-upandcreaturedesigneratthattime,anditwascalleddigitaldomain.andtheconceptofthecompanywasthatwewouldleapfrogpasttheanalogprocessesofopticalprintersandsoon,andwewouldgorighttodigitalproduction.andweactuallydidthatanditgaveusacompetitiveadvantageforawhile.

　　butwefoundourselveslagginginthemid'90sinthecreatureandcharacterdesignstuffthatwehadactuallyfoundedthecompanytodo.so,iwrotethispiececalled"avatar,"whichwasmeanttoabsolutelypushtheenvelopeofvisualeffects,ofcgeffects,beyond,withrealistichumanemotivecharactersgeneratedincg,andthemaincharacterswouldallbeincg,andtheworldwouldbeincg.andtheenvelopepushedback,andiwastoldbythefolksatmycompanythatweweren'tgoingtobeabletodothisforawhile.

　　so,ishelvedit,andimadethisothermovieaboutabigshipthatsinks.（laughter）youknow,iwentandpitchedittothestudioas"'romeoandjuliet'onaship:

"it'sgoingtobethisepicromance,passionatefilm."secretly,whatiwantedtodowasiwantedtodivetotherealwreckof"titanic."andthat'swhyimadethemovie.（applause）andthat'sthetruth.now,thestudiodidn'tknowthat.buticonvincedthem.isaid,"we'regoingtodivetothewreck.we'regoingtofilmitforreal.we'llbeusingitintheopeningofthefilm.itwillbereallyimportant.itwillbeagreatmarketinghook."anditalkedthemintofundinganexpedition.（laughter）

　　soundscrazy.butthisgoesbacktothatthemeaboutyourimaginationcreatingareality.becauseweactuallycreatedarealitywheresixmonthslater,ifindmyselfinarussiansubmersibletwoandahalfmilesdowninthenorthatlantic,lookingattherealtitanicthroughaviewport.notamovie,nothd--forreal.（applause）

　　now,thatblewmymind.andittookalotofpreparation,wehadtobuildcamerasandlightsandallkindsofthings.but,itstruckmehowmuchthisdive,thesedeepdives,waslikeaspacemission.youknow,whereitwashighlytechnical,anditrequiredenormousplanning.yougetinthiscapsule,yougodowntothisdarkhostileenvironmentwherethereisnohopeofrescueifyoucan'tgetbackbyyourself.andithoughtlike,"wow.i'mlike,livinginasciencefictionmovie.thisisreallycool."

　　andso,ireallygotbittenbythebugofdeep-oceanexploration.ofcourse,thecuriosity,thesciencecomponentofit--itwaseverything.itwasadventure,itwascuriosity,itwasimagination.anditwasanexperiencethathollywoodcouldn'tgiveme.because,youknow,icouldimagineacreatureandwecouldcreateavisualeffectforit.buticouldn'timaginewhatiwasseeingoutthatwindow.aswedidsomeofoursubsequentexpeditions,iwasseeingcreaturesathydrothermalventsandsometimesthingsthatihadneverseenbefore,sometimesthingsthatnoonehadseenbefore,thatactuallywerenotdescribedbyscienceatthetimethatwesawthemandimagedthem.

　　so,iwascompletelysmittenbythis,andhadtodomore.andso,iactuallymadeakindofcuriousdecision.afterthesuccessof"titanic,"isaid,"ok,i'mgoingtoparkmydayjobasahollywoodmoviemaker,andi'mgoingtogobeafull-timeexplorerforawhile."andso,westartedplanningtheseexpeditions.andwewoundupgoingtothebismark,andexploringitwithroboticvehicles.wewentbacktothetitanicwreck.wetooklittlebotsthatwehadcreatedthatspooledafiberoptic.andtheideawastogoinanddoaninteriorsurveyofthatship,whichhadneverbeendone.nobodyhadeverlookedinsidethewreck.theydidn'thavethemeanstodoit,sowecreatedtechnologytodoit.

　　so,youknow,hereiamnow,onthedeckoftitanic,sittinginasubmersible,andlookingoutatplanksthatlookmuchlikethis,whereiknewthatthebandhadplayed.andi'mflyingalittleroboticvehiclethroughthecorridoroftheship.whenisay,"i'moperatingit,"butmymindisinthevehicle.ifeltlikeiwasphysicallypresentinsidetheshipwreckoftitanic.anditwasthemostsurrealkindofdejavuexperiencei'veeverhad,becauseiwouldknowbeforeiturnedacornerwhatwasgoingtobetherebeforethelightsofthevehicleactuallyrevealedit,becauseihadwalkedthesetformonthswhenweweremakingthemovie.andthesetwasbasedasanexactreplicaontheblueprintsoftheship.

　　so,itwasthisabsolutelyremarkableexperience.anditreallymademerealizethatthetelepresenceexperience--thatyouactuallycanhavetheserob