3批注英语专业论文样本.docx

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3批注英语专业论文样本

分类号密级

UDC编号

本科毕业论文(设计)

题目突显《傲慢与偏见》主题的四种艺术手段

FourApproachestoHighlightingtheThemeof

PrideandPrejudice

系别继续教育学院

专业名称商务英语

年级2007级

学生姓名张三

学号2008990000

指导教师XX

二0一三年五月

FourApproachestoHighlightingtheThemeof

PrideandPrejudice

ZHANGSAN

Tutor:

XX

October2010

Acknowledgements:

IwouldliketogivemysincerethankstomysupervisorProf.XXXforteachingmehowtowritemyresearchpaperandhelpingmegenerouslytoreviseit.IamreallygratefulfortheopportunitytostudyclassundermyAmericanteacherXXX(有外教的就写)andProf.XXX,teacherofMethodology.Meanwhile,IwanttothanktheCollegeLibraryfromwhichIgotenoughusefulinformation,withthehelpofwhichIfinishedmypaper.AndalsoIwouldliketothankallmyclassmateswhogavemelotsofhelpfulsuggestions.

 

 

 

Abstract:

PrideandPrejudiceisthemasterpieceofJaneAusten,wellknownallovertheworld.Ithasbeentakenintothelistoftheworld’stenfamousnovels.Onthebasisofunderstandingthenovelthoroughlyandconsultingtherelativematerials,theauthorofthisthesisanalyzesfourapproachesadoptedbytheauthortohighlightingthethemeofPrideandPrejudice,suchasthecleveremploymentofirony,theexcellentcreationwithintheextremelimitedmaterials,therealisticwritingstyle,andthegreatskillsofcharacterization.

Keywords:

theme;irony;limitedmaterials;realism;characterization

 

摘要:

简·奥斯丁的代表作《傲慢与偏见》享誉全球,被评为世界十大最受欢迎图书之一。

本文作者通过阅读《傲慢与偏见》英文原著和检索参考相关文献,详细分析了作者用于突显主题的四种艺术手段:

讽刺艺术的运用,有限题材的创作,现实主义的写作风格,艺术人物的塑造等。

这些写作手法与爱情婚姻这一主题完美结合在一起,体现了作者娴熟的写作技巧,使她的作品焕发出独特的艺术光彩。

虽然本次研究有很多不足之处,观点有些不成熟,但仍希望能抛砖引玉,给其他简·奥斯丁研究者一些启发,为文学创作者提供一些帮助。

关键词:

主题;讽刺艺术;有限题材;现实主义;人物塑造

 

 

Contents

AcknowledgmentsⅠAbstractⅡ

摘要Ⅲ

1.Introduction1

2.TheBasicConceptsofVocabulary1

2.1Whatisvocabulary2

2.2Thedefinitionofaword3

2.2.1Aminimalfreeformofalanguage4

2.2.2Asoundunity4

2.2.3Aunitofmeaning5

3.HowtoPresentVocabulary6

4.HelpfulTools8

5.BeneficialActivities9

6.ApplyingSemanticTheory12

7.Conclusion14

Bibliography15

 

 

1.Introduction

ThepurposeofthisthesisistoanalyzefourapproachesadoptedbyJaneAustentohighlightingthethemeofPrideandPrejudice.Attheverybeginningtheintroductiontotheauthorandherworksisverynecessary.

JaneAustenisafamousEnglishwomanwriterinthe18thcentury.Shewasbornin1775atStevensoninHampshireofamiddle-classfamily,educatedathomeandremainedunmarried,leadinganuneventfullifeof40years.Herfatherwasarector,shewastheseconddaughterandseventhchildinafamilyofeight.In1817,thisbrightattractivelittlewomandied,quietlyasshehadlived,atWinchesterandwasburiedinthecathedral.

JaneAustenstartedwritingveryearly.ShewroteonlysixcompletenovelsSenseandSensibility,PrideandPrejudice,MansfieldPark,Emma,NorthangerAbbeyandPersuasion,andsheleftbehindthreefragmentsLadySusan,TheWatsons,andSandition.

 

2.FourApproachestoHighlightingtheTheme

2.1Ironyemployedinthenovel

PrideandPrejudiceisamodelworkofJaneAusten’ssuccessfulemploymentofirony.Ironyplaysadecisivepartinherwritingstyleaswellasinplotdevelopment.Theverbalironyandthesituationalordramaticironyhereareespeciallynote-worthy.

2.1.1Verbalirony

“Itisatruthuniversallyacknowledgedthatasinglemaninpossessionofagoodfortunemustbeinwantofawife.”Theveryfirstsentenceestablishesdelightfulandhumorousstyleofthenovel.ThefollowingdialoguebetweenMr.andMrs.Bennetfurtherexplainstherealmeaningofthe“acknowledgedtruth”inthesameway.

2.2Thelimitedmaterialsofthenovel

2.2.1Thehistoricalbackgroundofthenovel

Thesecondhalfofthe18thcenturyandthefirstfewdecadesofthe19thcenturywitnessedaseriesofgreateventsinEngland:

theindustrialrevolution,theFrenchrevolution,andtheNapoleonicwars,whichhadtheirstrongimpactuponEngland’seconomy,politicsandsociety.Thisnovelhasbeencreatedundersuchunevenandcomplexsocialconditions.

 

3.Conclusion

Thecleveremploymentofirony,theexcellentcreationwithinlimitedmaterials,therealisticwritingstyle,andthegreatskillofcharacterizationallmarkthesuccessofthenovel.ThesefourapproacheshighlightthethemeofloveandmarriageinPrideandPrejudice.Theperfectunionofwritingmethodsandthethemeofthenovelmakesthisartisticworkshiningwithtypicalluster.NowondertheBritishCriticin1813saidthatPrideandPrejudiceis“farsuperiortoallthepublicationsofthekindwhichhavecomebeforeus”(HelenLefroy1998:

59)

Owingtothelimitationofthereferencesandtheknowledgeoftheauthorofthispaper,theresearchisnotcompletedandthoroughenoughandsomeideasarenotverymature.Inaddition,otherkindsofwritingmethods,whicharehelpfultoemphasizethethemeaswell,arenotinvolvedin,becauseofthelengthyofthepaper.Thereshouldbedonemoreinthisaspectinthefuture.

 

Bibliography

[1]Gundykunst,W.&Kin,Y.CommunicatingwithStrangers—AnApproachtoInterculturalCommunication[M].NewYork:

TheMcGraw-HillCompanies,1997.

[2]Hornby,A.S.&Cowie,A.P.OxfordAdvancedLearner’sDictionaryofCurrentEnglish(FourthEdition1989)[M].Beijing:

TheCommercialPress/OxfordUniversityPress,1997.

[3]Lightbown,P.GreatExpectations:

Second-LanguageAcquisitionResearchandClassroomTeaching[J].AppliedLinguistics,1985,(6).

[4]Newmark,P.ATextbookofTranslation(I)[M].London:

PrenticeHall(UK)Ltd.,1988.

[5]邓炎昌、刘润清:

《语言与文化》[M].北京:

外语教学与研究出版社,1989.

[6]冯庆华:

《实用翻译教程》[M].上海:

上海外语教育出版社,1997.

[7]宋志平:

《语用翻译与习语误译分析》[J].外语与外语教学,1998,(7).

 

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