高三英语上学期第一次质量检测试题I.docx
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高三英语上学期第一次质量检测试题I
2019-2020年高三英语上学期第一次质量检测试题（I）
注意事项：
1.答卷前，考生务必将自己的姓名、准考证号填写在答题卡上。
2.回答选择题时，选出每小题答案后，用2B铅笔把答题卡上对应题目的答案标号涂黑；如需改动，用橡皮擦干净后，再选涂其他答案标号。
回答非选择题时，将答案写在答题卡上，写在本试卷上无效。
3.考试结束后，将本试卷和答题卡一并交回。
第一部分听力（共两节，满分30分）
做题时，先将答案标在试卷上。
录音内容结束后，你将有两分钟的时间将试卷上的答案转涂到答题卡上。
第一节（共5小题；每小题1.5分，满分7.5分）
听下面5段对话。
每段对话后有一个小题，从题中所给的A、B、C三个选项中选出最佳选项，并标在试卷的相应位置。
听完每段对话后，你都有10秒钟的时间来回答有关小题和阅读下一小题。
每段对话仅读一遍。
例:
Howmuchistheshirt?
A.£19.15.B.£9.18.C.£9.15.
答案是C。
1.Howdoesthemanusuallygettowork?
A.Onfoot.B.Bybus.C.Bycar.
2.WhatisMarkdoing?
A.WatchingTV.B.Playingagame.C.Studyingfortheexams.
3.Wheredoestheconversationprobablytakeplace?
A.Inahotel.B.Inabank.C.Inashop.
4.Whatdoesthemandislikeabouttheplace?
A.Theweather.B.Thecrowd.C.Thelocation.
5.Whatarethespeakersmainlytalkingabout?
A.Schoollife.B.Placesofinterest.C.Holidayplans.
第二节（共15小题；每小题1.5分，满分22.5分）
听下面5段对话或独白。
每段对话或独白后有几个小题，从题中所给的A、B、C三个选项中选出最佳选项，并标在试卷的相应位置。
听每段对话或独白前，你将有时间阅读各个小题，每小题5秒钟；听完后，各小题给出5秒钟的作答时间。
每段对话或独白读两遍。
听第6段材料，回答第6、7题。
6.Whatdoesthemanaskthewomantodo?
A.Bringhimsomewater.B.Getofftheplane.C.Putonhercoat.
7.What’stheweatherlikeinNewYork?
A.Warm.B.Cool.C.Cold.
听第7段材料，回答第8、9题。
8.Whatwouldthemanliketodrink?
A.Milktea.B.Redwine.C.Coke.
9.Howmuchshouldthemanpay?
A.$60.B.$70.C.$80.
听第8段材料，回答第10至12题。
10.Whowillthemandiscussthereportwith?
A.Thegeneralmanager.B.Thesalesmanager.C.Themarketingmanager.
11.WhenwillthemanmeetMrBlack?
A.At1:
30pmtoday.B.At3:
00pmtomorrow.C.At8:
30amonWednesday.
12.WhydoesthemangotoHongKong?
A.Togosightseeing.B.Totakeaclass.C.Tohaveaconference.
听第9段材料，回答第13至16题。
13.HowlonghasthemanlivedinBritain?
A.For3years.B.For5years.C.For7years.
14.What’stherelationshipbetweenthemanandStephan?
A.Friends.B.Oldneighbors.C.Teacherandstudent.
15.Whatdidthemandoafterlunch?
A.Hewenttoadepartmentstore.B.Hetookawalkbytheriver.C.Hewenttoasportscenter.
16.Whatisthebridgelike?
A.Small.B.Old.C.Modern.
听第10段材料，回答第17至20题。
17.WhatshouldatravelergetbeforegoingtoAustralia?
A.Avisa.B.Aguidebook.C.Acreditcard.
18.WhichisacheapwaytotravelaroundAustralia?
A.Byplane.B.Bytrain.C.Bybus.
19.WherecantravelerswalkaroundbarefootinAustralia?
A.Intheforest.B.Onthebeach.C.Inthemountains.
20.WhatshouldtravelerstaketoAustralia?
A.Sunscreen.B.Umbrellas.C.Sunglasses.
第二部分阅读理解（共两节，满分40分）
第一节（共15小题；每小题2分，满分30分）
阅读下面短文，从每题所给的A、B、C和D四个选项中选出最佳选项。
A
What’soninBeijing
DiscoverthebestthingstodoinBeijingwithourweeklyround-up（集拢）ofartandexhibitions,musicandperformances,andtrendingactivitiestodoaroundtown.
ArtExhibitionShowsTechInfluence
Thisnewexhibition,tostartonJuly15,willpresentanamazingexperienceshowinghowdigitaltechnologyishelpingartists.Itwillalsoshowhowtechnologyhaschangedthemuseumandgalleryexperienceforvisitorsfromapassivetoactiveone.
ThroughSeptember16.TodayArtMuseum.010-5876-0600.
Ticket:
80~150yuan
TheDivineMichelangelo
Afterasuccessfuldebut（首秀）inShanghai,thisartexhibitionwillopentothepublicinBeijingonJuly14.Itwillshow105items,markingMichelangelo’sartisticachievementsindrawing,sculpture,architectureandpoetry.
ThroughOctober10.Bird’sNestCultureCenter.010-6455-3358.
Ticket:
40~160yuan
WanderinginClassicalMusic
Chaarts,aclassicalgroupfromSwitzerland,willputonamusicalfeastnextweek.ProgramswillincludethedebutofMozartinChina,whichbinesMozart’smusicstylewithChinesemusicelements,andItalianposerAntonioVivaldi’sTheFourSeasons.
July20.ZeroArtCenter.010-5978-9931.
Ticket:
80~400yuan
DanceFestival
Theannualdancefestival,ChineseDancefor12Days,hasbeenlaunchedonJuly5.Sevenyoungchoreographers（编舞者）remendedbyleadingChinesefiguresinthedancecirclewillperformtheirself-choreographeddancingprograms.
ThroughJuly30.NationalCenterforthePerformingArts.010-6655-0000.
Ticket:
120~240yuan
21.Whichnumbershouldyoucallifyouwanttoknowtechnology’sinfluenceonart?
A.010-5876-0600.B.010-5978-9931.
C.010-6455-3358.D.010-6655-0000.
22.Whereshouldyougoinordertoappreciatesculpture?
A.ZeroArtCenter.B.TodayArtMuseum.
C.Bird’sNestCultureCenter.D.NationalCenterforthePerformingArts.
23.WhatcanyoudoatZeroArtCenter?
A.AppreciateMozart’smusic.B.EnjoyChaarts’performance.
C.Enjoysomechoreographers’dance.D.AppreciateMichelangelo’sartworks.
B
Inever“hadtime”tovolunteer,asitwouldtakeawayfromwhatIreallyneededtodo.Schoolandworktookupahugepartofmytime.ButIhavehadapassionforhelpingothers.SoIgavesparechangetothehomeless.Ifeltgood.
Atapointsomethingchanged.Iwassotiredofconstantlyseeingsocialmediapostsaboutpeopleinneed.Itseemedasifalleveryonewasdoingwashittingthesharebutton,butnoonewasactuallydoinganythingtomakearealdifference.Idecidedtolookwithinmyselftobeemoreawareofwhatwasimportanttome,andwhatmademehappy.
It’sfunnyhowtheuniverseplacesopportunitiesinyourpathwhenyoumittoanewwayofthinking.OnedayIcameacrossMealsOnWheelsofTampa（MOWTampa）.Since1975,MOWTampahasbeenstrengtheningthemunitybycaringfortheagedandthedisabled.Thisnon-profitorganizationpreparesitsownfoodandreliesonhelpfromvolunteerstodeliverabout700mealstoourneighborseachday.OnceIlearnedthis,IknewIwantedtogetinvolved.
OnthethirdSaturdayofeverymonth,volunteersdeliverfoodtorecipients（领受者）.IdeliveredmyfirstMOWTampamealsaboutayearago.EveryoneIcameintocontactwiththatdaywassogratefulforthedelivery.SmilesgreetedmeasIapproachedeachdoor.Sincemyfirstdelivery,Ihavecontinuouslysigneduptodelivermoremeals!
Iamsuperexcitedtohavetheopportunitytobeapracticalvolunteer.Ichallengeyoutohelpourneighborshoweveryoucan.OpenyourhearttootherswhoneedahelpinghandrighthereinTampa.
24.Whydidtheauthorfailtovolunteeratfirst?
A.Shewasfullyoccupied.B.Shewasafraidofchangeinlife.
C.Shehadnopassionforvolunteering.D.Shehadnotimetoworkoutofschool.
25.Whatmadetheauthordecidetomakeachange?
A.Thepouringsocialmediaposts.
B.Thetirednessfromherschoolandwork.
C.People’sunwillingnesstosharewithothers.
D.People’ssharingontheInternetwithouttakingpracticalaction.
26.Whendidtheauthorbeeapracticalvolunteer?
A.In1975.B.Aboutayearago.
C.Aboutamonthago.D.Afterhergraduation.
27.HowdidtheauthorfeelaboutherfirstMOWTampadelivery?
A.Itwasfunny.B.Itwascreative.
C.Itwasamazing.D.Itwasdisturbing.
C
MagazinesaleshavegenerallybeenfallingsincethedaytheinventoroftheInternetsaid,“Hey,whydon’tIinventtheInternet?
”
ButthelatestABCfigures,releasedthisweek,showthatsalesofcertaintitlesareactuallygoingup.Newsandcurrentaffairsmagazinesarebeingmorepopular—butcelebrity（名人）,gossipandfashionpublicationsarestillstruggling.
“Gossipandcelebritynewsisrarelysomethingthatrequiresdetailedanalysis—soit’sbestsuitedtobite-sizedcontentonsocialmedia,”saysIanBurrell,mediacolumnistforTheDrum.“Onceit’soutthere,it’squicklysharedandreadersmoveontothenextstar.Noonewantstowaitaweektoreadaboutitinaprintmagazine.”
FraserNelson,editorofTheSpectator,wrotethisweek:
“There’snowtoomuchwritingonline,andinaneraoffakenews,whereyougetyouranalysisfromhasneverbeenmoreimportant.Asnewspapersandmagazinesarefindingout,ifyoucanpublishwritingthatisconsistentlybetterthanwhatcanbefoundonline,peoplewillpay.”
Butmanyeditorsarestrugglingtostriketherightbalancebetweenphysicalanddigitalcontent.Theyarefacedwiththechoiceofeitherpostingalltheirarticlesonlineforfreesothemagazinestaysrelevant,orchargingreadersmoneytoprotectthefinancialfutureofthebrand.
AsBurrellpointsout,mostreadersarehungryforadeeperunderstandingofthefast-movingchangesinglobalnewsandpoliticsratherthanseekingtoescapefromitbyburyingtheirheadsincelebritygossipandentertainmentstories.
Serioustimescallforseriousjournalism.Whilegeneral-interestdailynewshasbeenturnedintoanalmostuniversallyavailablemodity（商品）bytheInternet,specialistjournalismisstillaservicepeoplevalueandthinktheycan’tgetelsewhere.
28.WhatdoesIanBurrellthinkofcelebritynews?
A.Itisn’tworthreading.B.Itisn’tworthanalyzing.
C.Itshouldbereadcarefully.D.Itshouldappearonmagazines.
29.WhatdidFraserNelsonmainlystress?
A.Theimportanceofnewssources.B.Thesignificanceofcurrentaffairs.
C.Thevalueofnewspapersandmagazines.D.Thebalancebetweenphysicalanddigitalcontent.
30.WhatcanbeinferredfromBurrell’sopinioninParagraph6?
A.Mostreadersarefondofrapidchanges.B.Mostreaderstendtoescapefromreality.
C.Mostreaderslikeentertainmentnewsbest.D.Mostreadersshowgreatinterestinglobalnewsandpolitics.
31.Whichofthefollowingcanbethebesttitleforthetext?
A.WhereMagazinesWillGointheFutureB.WhatMakesSomeMagazinesDisappear
C.HowMagazinesAreSurvivingtheDigitalAgeD.WhyPeopleAreStillReadingFashionPublicat
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