抽象艺术设计.docx
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抽象艺术设计
第三集
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Overthelasttwodecadesofworking,
在过去20年的研究中,
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oneofthethingsI'vediscovered
isoftenthingsaremadetofillvoids.
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19,990
Theimpetustofillthathole
withart,tome,isfundamental.
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28,960
Mycanvastendstobe
devoidoflight.
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31,800-->00:
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35,800
Yousortofdoneedtostart
withoutlighttofindit.
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Here'smyfirstquestion,
andI'vebeencuriousaboutthis.
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Doyoupronounceyourname
"Ezz"or"Ess"?
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Ipronouncemyname"Ezz,"
becausemynameisshortforEsmeralda.
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02,220
Oftenit'sperceived
asbeingaman'sname,
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07,770
soIdogetreviewsinGermany,whichsay,
"HerrDevlin'sincrediblymasculinework
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wouldhavebenefitedfromreading
thefeminineaspectsofthetext."
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So,it'sauseful,
neutrallittlename,actually,Es.
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Ifinditquitehandy.
It'sservingmequitewellasaname.
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Everyprojectstartsexactlylikethis.
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Blankpieceofpaper,blanktable,
there'susuallyoneotherpersonthere.
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38,590
Couldbeadirector,oraplaywright,
ortheartist,ifit'sforapopshow.
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40,890
Andaconversationhappens,
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andI'dnormallyjuststartdrawing
whilewe'retalking.
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So,ifIweretobehavingaconversation
aboutmyownpractice,
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itwouldstartwiththisone,
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withalittledrawing
ofapairofscissorsonit.
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59,150
'Causeyouusedtogetthose,
andyoustilldo,
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onthebackofacornflakespacket,
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andit'saninvitationtotake
thepieceofthecornflakespacket
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andcutitandmakeaninterventioninit
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andchangeit
andturnitintosomethingelse.
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Likethat,thatwilldo.
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Andthenyouholdituptothelight
andyougo,
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"Oh,there'slight
justcomingthroughthatbitthatIcut!
"
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SoIlikethatone.
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Ioftengetaskedbypeople,
"Howdidyoustartdoingwhatyoudo?
"
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Ioftengetaskedbyyoung,
like,17-year-oldpeople,
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whodon'tknowwhattodo.
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AndIalwaysfeelveryempathetic
towardsthose17-year-oldpeople
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whosay,"Idon'tknowwhattodo."
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Iwasnodifferenttothat,
Ididn'tknowwhattodoatall.
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ButthenIdidacourseintheaterdesign
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andIfoundmyselfinthisroomfull
ofpeoplemakingmodelstuff.
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Ithought,"Thisisgood,
thesepeopleareferal,
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andtheystayupallnightmakingmodels,
Ifeelquiteathomehere."
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So,Ididthat.
Ijustmadestuffforayearinthisthing
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andthenattheendofit,
Iwonthisprize.
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Oneofthefirstmajorshows
Iwasaskedtodo
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wastheHaroldPinterplay,Betrayal.
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BigpieceattheNationalTheatre
inLondon,soIthreweverythingatit.
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Anditsaysit'ssetinabedroom,
alivingroom,ahotelroominVenice,
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andwhatIdidisIoverlaid
thegroundplansofeveryscene
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withprojections.
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Andatthattime,itwasquiteunusual
touseprojectionandfilmintheater.
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Therewasn'treally
aninfrastructureforittowork.
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Andthepointaboutthatparticularplay
isitreallydoesn'tneedanyofthat.
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Itdoesnotneedit.
It'saveryhappyplayinawhitebox
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withafewwhitecurtainchanges
andfurniture,it'shappythatway.
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Butthatwasme,Iwasdoingmything
andHaroldPinterwasverysweetaboutit.
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'Causehewasquiteexcited
toseeallthisgadgetry,
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and,asajoke,he,onthefirstnight,
introducedmetoAntoniaFraser,
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hiswife,LadyAntoniaFraser,
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andsaid,"ThisisEs,
shewrotetheplay."
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Sothatwassweet.
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Thebeginningsofmypractice
weremakingsmalltheater.
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Youknow,literally,there'sanaudience
of78attheBushTheatre,
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whichwaswhereIfirststartedworking.
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TheBushTheatre
isaboutthesizeofamatchbox.
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Whatitwas,wasclose-upmagic.
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Wecreatedworlds
inavery,verytinyspace.
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Howdoyoubuildarevolve
inatheaterthatseats80people?
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Howdoyoudoprojections,
televisionscreens?
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Peoplewerespending
alotofmoneydoingthat.
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45,070
Wewerespending
aboutfourquiddoingitoutofjunk
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andEswasworkingouthowtodoit,
everysinglestepoftheway.
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She'dpainttheset,
she'dmakethestuff,she'dweld.
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IbegantofindwhatIwanted
tosayquitequickly
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andquitequickly,
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peoplewhodidn'tlikethekindsofthings
Iwasdoingstoppedasking.
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09,680
Mypracticehasbeenfollowing
myownpathsofinquiry.
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Andinordertopractice,
Ihavefoundwillingcollaborators
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whoI'vebeenabletoalignmypaths
ofinquirywith.
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FrompopstarslikeBeyoncé,
throughtoWagneroperas.
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34,870
Theinterestingthingabouttheprocess...
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I'velearnedthatIdon'tactually
makeanythingorknowwhattomake,
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untilIknowwhatthespaceis
thatit'sgoingtoinhabit.
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'Causeassoonasyouhaveaframe,
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ofcoursethefirstthingyouwanttodo
isstartbreakingouttheedgeofit.
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TheFaithHealerisaseriesofmonologues
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throughrain,throughsludge,
throughbleakness.
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Theinterstitialgaps
betweeneachmonologue
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neededtoevokethatitinerantbleakness.
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Therainfulfilledthatneed,
butalsofulfilledamorepracticalneed:
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weareinatheater
thatdoesnothavewings,
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doesnothaveaflytower.
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Howdowechangethescenery?
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Weareusingourrainbox
likeacurtain,practically.
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Fromtheactors'pointofview,
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theyenjoythewaythattheyare
revealedandconcealed
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atthebeginningandtheend
ofeachoftheirmonologues.
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Thisisatheaterwhichhasabrickwall
rightbehindwhatyouseethere,
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andtheaudiencewhocometothisspace
knowthatbrickwallintimately,
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they'reusedtobeingconfronted
withshallowspace.
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00,910
Sotogivethemdepth
andanelementthatisreal.
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07,550
Youcanfeeltheaudiencefeeling
theemotionalresponsethatanybodyhas
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towardslitraininasmall,darkroom.
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AndI'msatisfied.
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Bytheway,
Ihavenoideahowtherainsystemworks.
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Itjustshows
thatyoucandesignnicethings
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withouthavingaclue
howtheyfuckingwork.
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Esissomebodywhoabsolutely
amazesmeeverytimewework.
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Icomebackexcitedfromme
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