英语电影赏析ppt-3.ppt

英语电影赏析ppt-3.ppt

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Chapter3CharacterandPerformance,CharacterFunctionandCastDesign,Threebasiccharacterfunctions:

1.maincharacters2.secondarycharacters3.minorcharacters,1.maincharacters,“Protagonist”,thecharacterwhoseactionstriggerthechainofcausesandeffectsthatdrivetheplotforward.,2.secondarycharacters,Secondarycharactersarethosewhointeractwiththeprotagonistandhavesignificantimpactonthedevelopmentofthenarrative.Secondarycharacterscanbedividedintothreemainfunctions:

theoppositioncharacter,themirrorcharacter,andtheromancecharacter.,2.1Theoppositioncharacter,Theoppositioncharacter（antagonist）isthecharacterwhoopposestheintentionsoftheprotagonist;antagonistsstandinthewayofprotagonistsandcreateobstaclesforthem.Thefinalclimaxofthefilmisnormallyadirectconfrontationbetweentheprotagonistandtheantagonist/forcesofantagonism.,2.2Themirrorcharacter,Themirrorcharacter（support）isthecharactermostclearlyalignedwith,andsupportiveof,theprotagonist.,2.3Theromancecharacter,Theromancecharacter（loveinterest）isthecharacterwithwhomtheprotagonistisorbecomesromanticallyinvolved.,VoglersSevenCharacterArchetypes,Voglerssevenbasiccharacterfunctions:

hero,mentor（导师）,thresholdguardian（关卡守卫者）,herald（信使）,shapeshifter（变化者）,shadow（影子）,andtrickster（骗子，魔术师）.,VoglersSevenCharacterArchetypes,英雄主要角色影子代表英雄的“黑暗面”的反面角色导师给英雄以建议和帮助的角色使者传唤或召唤英雄踏上征途的角色,原型简单介绍,变化者迷惑、误导英雄的角色，他们代表着英雄将会发生一些内在转变小丑带来喜剧调剂的角色守门人暂时阻挡英雄前进的角色,VoglerworkedasaconsultantforDisneyduringtheproductionoftheLionKing.HowdoVoglerscharacterarchetypeshelponebetterunderstandthefilm?

Question：

HowisVoglerscharacterarchetypesappliedinthisfilm？

Discussion,Motivation,Conflict,andCharacterGrowth,Motivation:

outermotivation,innermotivation;Conflict:

outerconflict,innerconflictCharactergrow,Example:

TheLionKing,Motivation:

A:

OutermotivationSimbamustrecoverhiskingdom.B:

InnermotivationSimbamustrecoverhimselfas“hisfathersson”.Conflict:

A:

OuterconflictconflictwithScar,ScarseizesthekingdomfromSimba,andSimbamusttakeitback.,B:

Innerconflictconflictwithhimselfduetoself-doubtandunwillingnesstoconfrontdifficultiesfromisownpast3.CharacterGrowthDevelopmentofnewabilities（i.e.theself-confidencetochallengeScar）Reconsiderationofgoal（i.e.thegoalisnotjusttorule,buttorulewell,ashisfatherdid）Reflectionandincreasedknowledgeofselfandworld（i.e.knowledgethatcourageisnotthesameas“lookingfortrouble”,）,CinematicPerformance,Question:

Inwhatwaysdocinematicperformancedifferfromitstheatricalequivalent?

TheimportanceofAccent,Oneimportantaspectofperformanceisaccent.InHollywoodfilms,accentisneverneutral;itisvalue-laden（价值承载的）andhighlysignificant.Sinceaccentsareassociatedwithcertainracial,national,ethicorregionalgroups,theycanbeusedasashortcutforexpressingcharacter.,Thestereotypesofaccents,WhiteAmerican=heroic,honest,brave,intelligentAfrican-American=amiablebuteasilyledandeasilydeceivedEnglish=evil,imperial,dictatorial,sinister,deceitful,twofaced,pompousJapanese=eitherasourceofancientwisdomoramoderneconomicthreat,TheConceptof“theActorsTwoBodies”,RichardMaltby:

Fromtheperspectiveoftheaudience,thefilmactorhas“twobodies”theaudienceexperiencesthepresenceoftheperformeraswellasthepresenceofthecharacter.,Presentationalstylerepresentationalstyle,Presentationalstyleandrepresentationalstylearecorrespondingtothe“twobodies”oftheactorandthecharacter.Presentationalstyleistheperformancestylethatemphasizestherealtyoftheactor.,Representationalstyleisthestylethatdownplaystherealityoftheactor,astheactordoesnotpresenthimselfbutinsteadrepresentsthecharacterheisplaying.Methodactingandstarsystemaretheextremeformsofthesetwoperformancestyle.,MethodActing,Methodactingsoughttoemploythepersonalityoftheactorasakindofpsychicalresourceintheconstructionandperformanceofthefictionalrole.TheMethodaimsatproducingan“authentic”performancebysubordinatingtheactorspersonalitytothatofthecharacter.,CentraltothetheoryofMethodactingwastheconceptof“affectivememory”.InMethodacting,theactoremployshisownemotionstofullyidentifywiththecharacter,吴彦祖-whyareyousogoodatplayingbadguy?

-Ijustdisplayedthedarksideofmyself.,窃听风云2,新警察故事,TheStarSystem,Whatisa“star”?

The4mainelementsintheproductionofastar:

promotion,publicity,filmsandcriticism/commentary.Whyareaudiencesattractedtostars?

Typecastingandoffcasting,Typecasting:

Totypecastistorepeatedlyassigncertainkindsofrolestoaperformer.Offcasting:

Offcastingistheassignmentofaroletoastarwhichisquitedifferenttoandeventheoppositeoftheirusual“typecast”role.,Leonardo,Discussionquestions:

Whatmakesafilmcharacterinterestingtoyou?

Whatfactorsdoyouthinkshouldbetakenintoaccountwhencastingdecisionsaremade?