三维动画的视听语言运用毕业论文外文文献翻译.docx

三维动画的视听语言运用毕业论文外文文献翻译.docx

《三维动画的视听语言运用毕业论文外文文献翻译.docx》由会员分享，可在线阅读，更多相关《三维动画的视听语言运用毕业论文外文文献翻译.docx（10页珍藏版）》请在冰点文库上搜索。

三维动画的视听语言运用毕业论文外文文献翻译

毕业论文外文文献翻译

院系：

年级专业：

姓名:

学号：

附件:

Audioandvisuallanguageusedin

theanimation

指导老师评语:

由于该生经过大量地查阅与视听语言应用相关的国内外文献，较好地掌握了该研究领域的专业知识，从而较准确地翻译了该外文文献，语句通顺，层次分明。

译文原文字数大于3000个实词,格式字体符合要求。

指导教师签名：

年月日

【Abstract】Practicaleffectofthispaperisthroughstudythethreedimensionalanimationaudio-visuallanguageinfilmreviews，movieandTVpeople'saestheticabilityandeconomicroleinreallife，showtheimportanceofitsexistenceandaudio-visuallanguageinthedevelopmentofChina'sstatusquoandtheforeseeable，alsocalledforintheageofpeopletoimprovetheimportanceofaudio-visuallanguage,abletoputtheaudio—visuallanguage，asakindofcommonknowledgetolearn，canstrengthentheaudio—visuallanguageeducationthecourseofteaching.Throughsomewebsitestofindrelevantmaterials,libraryliterature,weipujournalnettofindtherelatedliteratureandChinesehownet,andconductmarketresearch。

【Keywords】audio—visual,cultureinfluence,languageuse，practicaltools,development.

Animationistheart,music，literatureandcomputertechnologytoacrossthediversityofartform，animationandrelyontheapplicationofaudio—visuallanguagebeyondthepastanytime。

Theuseofaudio-visuallanguageinanimation,whichmakesthecurrentanimationwithirresistiblecharm。

Audio-visuallanguageisawayoftellingthestory,isalsoaneffectivewaytoexpressdirectoremotionsandthoughts，maketheemotionalexpressiontotheextreme，greatcombination，itbringstheaudienceastrongcomprehensiveaestheticexperience。

Audio-visuallanguageandanyotherlanguage，hasitsownconstituentunits,expressionandgrammarrules.Inthispaper,fromthevisuallanguageofexpressionmethod，auditorylanguageexpressionmethod，andaudio—visuallanguagecomprehensiverepresentationoftheseaspects,exploreanimationaudio—visuallanguageofexpressingfeelings。

Separatedbyseeingandhearinglanguage,usingtheinstancetoresearchandanalyzevariouselementsofemotionalexpression,audio—visuallanguageaudio—visuallanguageinuse，thenumberofelementsiscombinedtogether,sotheyarethinkingasawhole，comprehensiveanalysisofanimationaudio—visuallanguageofemotionalexpression,fromtwoanglesofseekingtobuildanimationaudio—visuallanguageexpressionsystem.

AnimationasamovieandTVart，usingtherichsymbolicvisualsymbolsandhearingtotheexpressionexpressesone’sideas，communicateideas，itcombineswiththecharacteristicsoffilm，televisionandart,hasitsownuniqueartisticcharacteristics，manifestation,socialfunction。

Animatedfilm，whetherit’sart,cultureandideologicalcontenttocarrythroughaudio—visuallanguage，andconveytotheaudience.Throughtheaudio-visuallanguagerepresentationandmeaningfunction,wecandeeplyunderstandtothecartoontheartisticfeaturesoftheexternalperformancetotheinnermeaningofthought。

AlongwiththeprogressofTheTimes，thefilmandtelevisionartexpressionmeansareconstantlyenrichandperfect，audioandvisualelementsofthecombinationismoreandmorevarietyanddiversity,asasymbolcarrierofcultureandthought，theywon'tchange，theessenceoftheChineseanimationinfuturedevelopmenthastherightguidance.

Thethreedimensionalanimationasauxiliarymeansofteachinghaspenetratedtheeducationtechnology，hasbeenmoreandmoreattention,andwidelyusedinthehighervocationalteaching。

Useitsthree—dimensional,dynamicauxiliaryteaching,whichiseasilyunderstoodbystudentsandmaster,cansolvetheteachingemphasisanddifficultyinvividimage。

Thispaperintroducesthemeaningandclassificationofformthethreedimensionalanimation,combinedwithcharacteristicsofhighervocationalteachingandtheapplicationof3danimationinthehighervocationalteachingpresentsituation，howtoreasonableuseof3danimationcanbemadeaconcreteanalysistoimprovetheteachingeffect。

Scienceandeducationfilmandtelevisionworks，landscape，revealingthesciencetoscience,disseminatingscientificthought，promotescientificmethodsasownduty,thereforeithasaverywiderangeofobjects,contentisveryrich，manyofwhichevenbeyondthescopeofthehumaneyeobservationandcameralensshootingability,suchasmacroscopicobjectsintheuniverse,themicroscopicbacteria,viruses,moleculesandatoms,andavarietyofphysicalphenomena,chemicalreactionandsoon。

Inordertocomprehensiveaccuratelyreflectsthescientificcontent，lettheaudienceunderstandingworkstoexpressthethemeofthethought,theartistsoftenusesomespecialwaytoshowtheseconventionalphotographycannotaccurately.Thisspecialexpressionway，ismainlyrefersto2danimationbyhandandbythespecialphotography，photographyofmicroscopicmagnification,endoscopicandsoonmeansofspecialphotography,thesetwokindsofexpressionwayinmanyfilmandtelevisionworks,achievedgoodartisticeffect.

Hand-drawnanimationistheadoptedbylatticeandorusingacomputergeneratedimageframebyframe,sceneshootingthefilm，withastrongsubjectivityandthegraphicfilmPianZhong。

Duetothenatureofanimatedfilms,madeanimatedfilmincolormorefreedomandusingexaggerated，animationfilmcolorisdesignedaccordingtotheneedsoftheplotbydesignpersonnel，thushasalotofroomforimaginationandspace，closertothepaintingcreation.Colourisrealistic,sotospeak,alsocansayillusory,anditsrich，sotospeak,alsocansaywhilegeneralizations,designerscanundertakemediationandarrangedaccordingtotheneedsoftheplot，togeneralizeextremelyrichcolor,unifyingthestyleofcolor。

Atthesametime，thedevelopmentofcolortothestoryandthecharacterbustofpsychologicalperformancealsohasaveryimportantrole。

Colouristhestrongestvisualimpact,themostprofoundpsychologicaleffectfactors.Animationfilmhascomparedtothemorepainting，sowiththecreationofanimationcanreflectmorestrongnationalcolor，regionalandotherfactors。

InearlyChineseinkpaintinganimationandpaper—cutanimationsceneorcharactermodelling,especiallytheuseoftechniquesandprocessingisundertheinfluenceofnationalandfolktraditionalfactorsandcreatetheresplendence。

Japan'shayaomiyazaki'sanimationeventseachfilmarealsofullofJapanesetraditionalnationalelements.Inanimationcreation,variousnationalandregionalfeaturesofmoreorlessreflectedintheuseofcolor。

Visiblecolorstheimportanceintheanimatedcartoon,sointheuserequirementswemustaccordingtotheplotdevelopmentpaceofchange,andcanreflecttheartisticqualityofreasonableuseofcolor。

Thesecolouristhevisualandartisticappreciationvalue，andmustbesubjecttotheoverallfilmrhythmandtoneofthecoherenceandcoordination。

Audio—visuallanguageismainlycharacterizedbyvisualandsoundtwoforms，oneisgivenprioritytowithvisualform.Fromresearchonanimationfilmlensusedintheprocessofunderstandingtotheanimationaudio-visuallanguagecontentisroughly:

storystructure，picturecomposition，usecolor,light，sound，timespaceperformance，andsoon.Structureisaskeletonofthestory,playasupportingrole，Goodstorystructurecanshapeagoodscript，itistheessenceofthefilm,havetheeffectofoverlinks;Animationreferstothecompositionformofscript，itemphasizestheformfeeling，oftenmeansthatthelevelofaesthetic,artisticappreciationlevel,isthelens,basedontheprocessingtothecontinuityofthestorywhenconsideringthecameramovement；Colorandlightisanindispensablepartnerofagroup，theydirectlycontrolthetoneofthewholefilm，transferfilmandtheaudienceemotionalatmosphere；Musicandsoundtrackstojoin,makethefilmhavetheirownpersonalities;Timeandspaceforthedevelopmentofthestoryprovidestheframeworkandtheenvironment。

Audio—visuallanguageasakindofinformationthesymbolsystemofcommunication，inadditiontothesaidinformationthroughalens,moreisbasedontheimagethinking，ispassedtotheaudiencetheinternalandprofoundemotionalexperience。

Inthevisualimageandsoundinformation,audio—visuallanguageuse，thecombinationofideology,canmakeallkindsofestablishedtheanimationfilm，thesymbolofthemoral。

Animationaudio-visuallanguageisalsoatimedimension，itcannotonlyinnarrativeframework，moreisthroughthelensofcoherentpicture，withdeeperemotionalandpsychologicalhint.

Montagevideoeditingprovidesatheoreticalbasisforthenetwork。

Acompletenetworkvideoworksbyanumberofplotsiscomposedbyparagraphs，andeachparagraphofaplotconsistsofthemontageofseveralparagraphs（orsentencesmontage）。

“Montage”isderivedfromtheFrench，theoriginalarchitecturalterm，meaningcomposition,assembly。

Laterbecomeoneofthemainnarrativeandperformanceofitsmeansoncreatingandeditingvideoandaudiosynthesis.Withthewayofmontage,videoenjoysgreatfreedomofspaceandtimejumping。

Montageeditingreliesontheintrinsiclinktocreatethelenstopic,whichguidestheaudiencestointerpreteventsandstrengthenstheeventsthroughthecombinationofimageandsound.What’smore，throughthecombinationofways，thedirectorwouldbeabletoexpresshisideas.Internetvideoisacollectionofthegreatestfeaturesofvoice，video，textandotherelementsofadvantages,whichcanattracttheaudiences’attentionwithinashorttime.Therefore，itrequiresfullutilizationofthisparticularmontageeditingtechniques，andlefttheaudienceswithspaceofimaginationinthemeantime.

Itisdifficulttohaveanexactaccurateconclusiononthecla