论《觉醒》中的意象与女性意识的觉醒Word格式文档下载.docx
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摘要
19世纪的美国著名女作家凯特肖邦的《觉醒》,讲述了勇敢并且具有女性意识的女主人公埃德娜的自我意识的觉醒的故事。
肖邦在此篇小说中巧妙地运用了各种意象来突出小说女性意识逐渐觉醒的过程,觉醒后的一系列遭遇,以及女主人公埃德娜因觉醒所带来的凄惨结局。
通过意象的衬托,她让主人公把自己的情感意识寄托于广阔无垠的大海,自由翱翔的鸟儿,愉悦的音乐,埃德娜憧憬着如鸟儿一般,拥有觉醒的翅膀,在浩瀚的大海以及美妙的音乐找寻自我,自由飞翔。
关键词:
肖邦;
意象;
女性意识;
《觉醒》
Imagesandthe“Awakening”oftheFeministConsciousnessinTheAwakening
Abstract
TheAwakeningisoneoftherepresentativenovelsofKateChopin,anotedAmericanfemalewriterinthe19thcentury.Ittellsthestoryoftheself-consciousawakeningofthebraveandfeminineheroine—Edna.VariousimagesareusedskillfullybyChopintohighlighttheprocessoffemaleconsciousnessofindependenceandfreedomgraduallyawakening,aseriesofencountersafterawakening,andthetragicendingofEdnainthenovel.
Throughthedescriptionoftheseimages,Chopinlettheheroinegiveheremotionalconsciousnesstothevastsea,thefree-flyingbirds,thebeautifulmusic.Ednalookedforwardtobeingabird,withwingsofawakeningandlookingforherselfinthevastseaandwonderfulmusic,flyingfreely.
Keywords:
Chopin;
image;
theconsciousnessoffeminism;
TheAwakening
1.Introduction
1.1KateChopinandHerWritings
KateChopin’sTheAwakening,afeministnovelundertherealmofnaturalismandrealism,wasaheadoftimebyusingimageryofmultiplevisions,naturalelementsassymbols.Bymeansofimagerywriting,allsymbolscanbereadaskindsofmetaphor.Therefore,imageryhasaspecificandspecialrelationtosymbolism.
KateChopinwasoneoftheimagismmovementin19thcentury,sheadmiredthosestrong-minded,talentedandindependentwomenwhotranslatedmanyGuydeMaupassant’snovelsintoEnglish.Besidesthemelancholic,pessimisticundertoneofhumanlivesanddestiniesinhiswritings,whatimpressedChopinmostwasMaupassant’swritingskillsandtheindividualconsciousnesshealwaysemphasized:
Chopinclaimedtohavefeltthathespoketoherdirectlyandintimately(Toth,1985).Sheadmiredhimmostforthethingsthatmadehimthewriterthathewas.Shewasintriguedbyhisescapefromtraditionandauthorityandforhavingenteredintohimselfandlookedoutuponlifethroughhisownbeingandwithhisowneyes(Skaggs,1974).EventuallyMaupassantreplacedotherwritersasherprimaryinfluenceandliterarymodel(Toth,1985).ChopinhadsuchaninterestinMaupassantthatsheherselfalsotranslatedmanyofhisstoriesfromFrenchtoEnglish(Toth,1985).Becauseofthecontenttheirstories,thesestorieswereneverpublished.Maupassant’sideaswerelookedasimmoralandimmature,dealingwithideassuchassex,loneliness,anddepression.Hewasregardedbymanypeopleasanimmoralperson,becausehequestionedthestandardsoftheday.Ofcourse,KateChopinwasinfluencedverymuchbytheliterarytrendofthisperiod.HernovelTheAwakeningwaswrittenattheendofthenineteenthcentury,whichisstillamale-dominatedVictorianera.Atthattime,societyadvocatedsexualinhibition,especiallyamongmiddleandupper-classwomen.Asaresult,criticslashedoutatTheAwakening,causingagreatdisturbanceatthetime.
KateChopin’s1899masterpiece,TheAwakening,facedthesamefateasMaupassantandwasconsideredscandalousatthetimeofitsinitialpublication,withitsthemesoffemaleindividualityandliberationvirtuallyendingChopin’swritingcareer.Now,morethan100yearsafteritsfirstappearance,Chopin’snoveliswidelyesteemedasoneofthefirstfeministliterature.“Itwasn’tuntilthe1950sand1960sthatwiththevigorousdevelopmentoftheAmericanfeministmovement,thebookTheAwakeningreceivedafairevaluationfromcritics,believingittobeagoodbookwithexcellentideologicalskillsandartisticmethods.Araremasterpieceinliterature”(金莉,秦亚青,1998:
100).ThebookisalsoknownasapioneeringworkofAmericanliteraryclassicsandfeministmovements,aswellasafirst-ratenovel(梁亚平,2004).
1.2The
Awakening
InTheAwakening,Chopincritiquedthesocietyinwhichwomen,whostrayfromtheirdutyasmothersortheexpectedmarriedfemalebehavior,aresubjecttoharshjudgmentandfurtherdisapprovalfromtheirhusbands.Inthenovel,Edna,herhusband,andherfamilywentonavacationtothebeautifulislandbythesea.Attheseaside,withthehelpofRobert,Ednalearnedtoswim,whichshealwayswantedtolearneversinceshewasachildandshealsoswamtoaplacethatshehasnevervisitedbefore.Robertcouldn’tbearthepressureofsocialjudgement;
hechosetoflee.So,therelationshipbetweenRobertandEdnawasinconclusive.
However,thedepartureofRobertdidnotstoptheconsciousnessoffeministawakeninginEdna’smind.ShewouldneverbethesameEdnawhousedtoobeyherhusband.Shestartedtolovelifeandexpressherfeelingsboldly.Throughlearningtoswimduringtheholidays,Ednabegantosearchfortheirindependenceandfreedom,whichisthebeginningofthetransformationofEdnainTheAwakening.TheheroineEdnainTheAwakening,amotheroftwochildren,hasverylittlepersonalfreespaceinherlifeaswellasothertraditionalAmericanwomenofherage.However,Ednahasabandonedherresponsibilitiesasawifeandmotherinpursuitofextramaritalsensorysatisfaction.
OnceTheAwakeningpublished,thenovelcouldn’tavoidharshcriticismfromsociety,aspeoplecouldn’thandlesuchradicalandsubversivefeministwriting.
1.3CommentsonThe
Awakening‘
TheAwakening,publishedin1899,isthesecondnovelbyAmericanfemalewriterKateChopinandisafeministnovelundertherealmofnaturalismandrealism,wasaheadoftimebyusingimageryofmultiplevisions,naturalelementsassymbols.Bymeansofimagerywriting,allsymbolscanbereadasakindofmetaphor.Therefore,imageryhasaspecificandspecialrelationtosymbolism.Thenoveldescribestheself-consciousawakeningprocessofmarriedwomanEdna.Thework’santi-traditionalconceptalsobroughtnegativecommentstoitsauthor.EventhepostofSt.LouiswrotethatitwasnotsuitableforwomenwhoabidebyMoralityandstronglysuggestedthatthenovelshouldbelabeledasapoison(Killeen,2003).Chopinalsolosthisoriginalreputation.Itwasn’tuntilmorethanhalfacenturylaterthatthevictoryofthesecondwaveofwomen’sliberationmovementmadeTheAwakeninganewfavoriteofliterarycriticsandaclassicfeministworkinthenationalliteraryworld.
Today,TheAwakeninghasbeenrecognizedasaclassicofAmericanliterature.Frombannedbookstoclassics,ithastakenalongandtortuousroad.Thiscomplexexperiencealsoillustrateshowsocialchangesandtheimpactofsocialthoughtshaveaffectedpeople’sacceptanceandjudgmentofaliterarywork.TheAwakening,astheauthoress’lastmasterpiece,alsosharingonefatewithHardy’slastone,wasfinallyrecognizedandevenpraisedas“beautifullywritten”byEdmundWilson,and“exquisite”and“sensitive”byWillaCather.However,thepraiseddidn’tliveaslongasHardy,whofinallyoutlivedthethrustsandcuts.
2.ImagesinTheAwakening
2.1TheDefinitionofImage
Theso-calledimageryisanartisticimagecreatedbytheuniqueemotionalactivitiesofthecreativesubject.Thewordimageryiscommonlyusedinliterarycriticism,andthemeaningofimageisroughlyasfollows:
oftenreferstoindividualimage,ratherthanthewholepicture.Artorliteratureworksuseimagestoexpressmeaning,whoseprimarygoalistoformaconcreteandperceptibleimage,sothatreaderscanproduceaestheticassociationbyvirtueofthepicturesdepictedinwords,andlettheaestheticexperienceorimpressivethingsreappearitsimagelusterinourmind.
2.2TheFunctionofImage
ImagewasapoeticvoguethatflourishedinEngland,andevenmorevigorouslyinAmerica,betweentheyears1912and1917.Asapartofthemodernistmovement,awayfromthesentimentalityandmoralizingtoneof19th-centuryVictorianpoetry,imagistpoetslookedtomanysourcestohelpthemcreateanewpoeticexpression.Atypicalimagistpoemiswritteninfreeverse,aformthatuseacadencethatmimicnaturalspeechratherthantheaccustomedrhythmofmetricalfeetorlines.Rulesofrhymingwerealsoconsiderednonessential.Butrather,ithighlightstheimpressionofavisualobjectorsceneandtheterm“image”shouldnotbetakentoimplyonlyavisualreproductionoftheobjectwhichisreferredto:
“Imageryinliteratureusageincludenotonlyvisualsensequalities,butalsoqualitiesthatareauditory,technic(touch),thermal(heatandcold),olfactory(smell),gustatory(taste),andkinesthetic(sensationsofmovement)”(Abrams,1999:
121).
Asthefirstleaderoftheimagismmovement,AmericanwriterEzraPondismostfamousforhistwo-linepoemInaStationoftheMetro:
“Theapparitionofthesefacesinthecrowd:
Petalsonawet,blackbough”(Pound,1913
(2):
12).Itisoftencitedasoneofthepurestofhisimagistpoems.Pounddescribeswatchingfacesappearinametrostationasa“crowd”,meaningthestationisquitebusy.Hecomparesthesefacesto“petalsonawet,blackbough”,suggestingthatonthedarksubwayplatform,peoplelooklikeflowerpetalsstuckonatreebranchafterarainynight.Thoughshort,thispoemisverysensoryinnature;
itallowsthereadertoimagineascenewhilereadingthelines.ThroughPound’seconomicaldescriptionofthesefacesas“petalsonawet,blackbough”,heisabletoinvokeatransienttone.
KateChopin’sTheAwakening,afeministnovelundertherealmofnaturalismandrealism,wasaheadoftimebyusingimageryofmultiplevisions,naturalelementsassymbols.Bymeansofimagerywriting,allsymbolscanbereadasakindofmetaphor.Therefore,imageryhasaspecificandspecia