从翻译美学角度看李清照英译意境美传递英语大学本科毕业论文.docx

从翻译美学角度看李清照英译意境美传递英语大学本科毕业论文.docx

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从翻译美学角度看李清照英译意境美传递英语大学本科毕业论文

StudentID：

201191210619

BACHELOR'SDEGREETHESISOFZHIXINGCOLLEGEOFNWNU

TranslationofArtisticConceptionBeautyinTranslationofLiQingzhao'sLyricpoemsfromthePerspectiveofTranslationAesthetics

Deptof：

ForeignLanguages&LiteratureDepartment

Subject：

English

Name:

WangJuanjuan

Directedby：

NingZhenyeAssociateProfessor

November2014

学号：

201191210619

西北师范大学知行学院

本科学生毕业论文（设计）

从翻译美学角度看李清照英译意境美传递

ABSTRACT

LiQingzhaoastherepresentativeofWanyueschool,isnotonlythemostoutstandingpoetessinlyricpoems'creationfield,butalsooneofthemostoutstandingpoetsinthehistoryofpoetess.Meanwhile,thetranslationstudyonLiQingzhao’slyricpoemsalsohasattractedtheattentionanddevotionofmanyscholarsbothhomeandabroad.LiQingzhao’slyricpoemsgivethereadersendlessimaginaryspaceespeciallybybeautifulartisticconceptionwithstrongfeelings,clearandvividimages,andlingeringcharm.

Translationaestheticsisthecombinationoftranslation,whichoccupiesanimportantpositioninthefieldoftranslationtheories.Onthebasisofconcludingandexplainingtranslationaesthetictheory,thethesisclassifiestheartisticconceptionbeautyofLiQingzhao'slyricpoemsintothreemajorkinds:

blendoffeelingsandscenery,coexistenceoffictionandreality,andlingeringcharm.ThentheauthorchoosesrepresentativelyricpoemsbyLiQingzhaoofeachkindfromamplelyricpoemsofLiQingzhaoandtheirdifferentEnglishversionsrespectivelyasexamplestoanalyzetheartisticconceptionbeautytransfercomparativelyinaccordancewiththetranslationaesthetictheory,especiallythefivebasicrequirementsforaestheticreproductionbyLiuMiqing.

Keywords:

translationaesthetics;LiQingzhao'slyricpoems;Englishversion;transferofartisticconceptionbeauty;analysis

摘要

作为婉约学派的代表，李清照不仅在抒情诗的创作领域是最优秀的女诗人，而且在女诗人的历史上是最出色的女诗人之一。

同时，关于李清照的抒情诗歌的翻译研究也已经引起了许多国内外学者的关注。

李清照的抒情诗给读者的不仅是美丽的意境无穷的想象空间，还有强烈的感情，清晰生动的意境和韵味十足。

翻译美学是翻译与美学的结合，并在翻译理论中占有重要位置，在总结和解释翻译美学理论的基础上，本文将李清照的抒情诗的意境之美分为三大类：

情景结合，虚实并存，和韵味十足。

然后，选择其有代表性的诗，分别按照翻译美学翻译的不同的英文版本为例进行比较分析其意境美的传递，尤其是根据刘宓庆的五项基本要求。

关键词：

翻译美学;李清照的抒情诗;英文版本;转让意境之美;分析

Contents

ABSTRACTI

摘要II

1.Introduction1

2.StudiesonArtisticConceptionBeautyTransfer2

3.TheoreticalBasisoftheresearch3

3.1Thesourceofaesthetics4

3.2FactorsAffectingtheTransferofArtisticConception5

3.2.1AestheticSubject:

theTranslator'sAestheticandReproductiveAbility5

3.2.2AestheticObject:

theLinguisticandCulturalDifferences6

4.AnalysisofArtisticConceptionTransferofLiQingzhao'sCiPoemsfromTranslationAestheticsPerspective7

4.1ArtisticConceptionBeautyofLiQingzhao'slyricpoems8

4.1.1BlendofFeelingsandScene8

4.1.2CoexistenceofFictionandReality9

4.1.3LingeringCharm10

4.2TransferofArtisticConceptioninLiQingzhao'sCiPoemsTranslation11

4.2.1RuMengLing12

4.2.2TransferofCoexistenceofFictionandReality14

4.2.3TransferofLingeringCharm15

References18

Acknowledgements20

TranslationofArtisticConceptionBeautyinTranslationofLiQingzhao'sLyricpoemsfromthePerspectiveofTranslationAesthetics

1.Introduction

Poetryhasbeenregardedasthehighestmanifestationofanation'scultureandhistory.Asanationofpoetry,Chinahasaparticularfondnessforpoetry,whichplaysanincomparableroleinclassicalliterature.Asearlyas2500yearsago,ChinesepeoplecompiledtheearliestanthologyofpoetryinChina,thebeautifulBookofSongs（《诗经》）andathousandyearsagotheycreatedthegreatTangpoetryandSonglyricpoetry.Confuciussaysthatpoetry"可以兴,可以观,可以群,可以怨"（quotedin毛宣国:

2003:

15）,whichmeanspoetrycanservetoinspireemotions,tohelpyourself-contemplation,toteachyoutheartofsociabilityandtoexpressyourresentment".ClassicalpoetryhasbecomethesoulofChineseculture.

Nowthatit'stheageofglobalizationandtheinternationalculturalexchangeisincreasinglyfrequent,moreandmorepeoplehavebeengettinginterestedinChinesetraditionalculture.Asapreciousculturalheritageofhumanbeings,ChineseclassicalpoetryhasbeenattractingwideattentionbothathomeandabroadandmanyscholarshavedevotedthemselvestointroducingthisimmortalgemtotheworldsothatthebeautifulliteraryartslikeSongLyricpoetrycanbesharedbyallhumanbeingsthroughtranslation.However,ChineseclassicalpoetrytranslationhasremainedachallengingtaskforscholarsandtranslatorssinceChineseclassicalpoetryisdifferentfromwesternpoetryinmanyaspects.Difficultasitispoetrytranslationcanstillbedonetoalargeextentsincepoetryiscreatedonthecommongroundofhumanfeelings.

Thisthesisismadeupoffourchaptersbesidesanintroductionandaconclusion.Followingthisgeneralintroductiontothethesis,aliteraturereviewisprovidedinchaptertwo,takingalookattranslationaestheticaswellasstudiesonaestheticconceptionbeautytranslation.Chapterthreeisdevotedtothetheoreticalbasisofthethesiswherethecomponentsofthesourceofaesthetics,themakeupofaestheticobjectandaestheticcriteriaofpoetrytranslationareaddressed.Inchapterfour,analysisofartisticconceptiontranslationofLiQingZhao’slyricpoemsfromtranslationaestheticperspective.Thelastchapterisaconclusion,summarizingthewholethesis.

LiteratureReview:

Forthethesis’stitleisTransferofArtisticConceptionBeautyinTranslationofLiQingzhao'slyricPoemsfromthePerspectiveofTranslationAesthetics,whichisrelatedtothreemajorfields:

thetranslationaesthetics,theartisticconception,andthetranslationofLiQingzhao’slyricpoems,theliteraturereviewwillintroduceformerrelatedstudiesonthesethreesubjectsrespectively.Then,onthebasisofthereviewofformerstudies,thecreativepointsofthisthesisanditsresearchnecessitywillbepointedout.

2.StudiesonArtisticConceptionBeautyTransfer

Translationaestheticsaimstoexploretheaestheticproblemsofinter-lingualtransformationbymeansofthebasicprinciplesofaesthetics,linguistics,andinterculturalstudies.（LiuMiqing,1999:

108）Exploring,explainingandpracticingliteraturetranslationfromtheperspectiveofaestheticshasahistoryofmorethanonethousandyearsbothdomesticandabroad.

Accordingtotheresearchontranslationalhistory,theseedofwesterntranslationaltheoryfirstlyreliedonphilosophy-aestheticstogrow.（MaoRonggui,2005:

97）Fromalltheadvocacieslikethe‘beautyofrhetoric'advocatedbythefamousRomanphilosopherCicerofortheliterarytranslationtolatertranslatorJerome's'naturalbeauty,translationtheoristTytler's'beautyoffaithfulness,andGachechiladze's'artisticbeauty,（Munday,2010:

167）,itbefoundthattheaestheticthoughthasbeencontainedintranslationtheoriesforalongtime.Duringthetwentyyearsafter1990s,inwesterncountriesShirleyChewandAlistairpublishedthebooktitledTranslatingLife:

StudiesinTranslationalAesthetics（1999）,whichisaveryimportantbookinthewesternfieldofaesthetictranslation.

Comparedwiththatinforeigncountries,thestudyontranslationaestheticsinChinaismuchricher.AccordingtoWangBingqin（2004）,amongthe‘tentheories’inChinesetranslationalfield,mostofthemhaveaestheticorigins.Duringthetwentyyearsafter1990s,therearemanymonographsontranslationaestheticscameintobeing,suchasFuZhongxuan's'PracticalTranslationAesthetics^（1993）,LiuMiqing'sIntroductiontoTranslationAesthetics‘（1995）anditsrevisededition（2005）,JiangQiuxia's'AestheticProgressioninLiteraryTranslation.Fromtheperspectiveofthesemonographs'promotingeffecttotheestablishmentoftranslationaesthetictheory,the'PracticalTranslationAesthetics,（1993）and‘IntroductiontoTranslationAesthetics（1995）arethebesttwoandrequiretheattentionofscholarsinrelatedfields.Theformerhasanalyzedtheaestheticobject,aestheticsubject,aestheticactivity,aestheticstandardsandaestheticreconstructionmethodsindetailanddiscussesthetaskoftranslationaestheticsintheintroduction.Thelatterjust‘usesthebasicprinciplesofmodemaestheticstostudytheoperatingmechanismoftranslation,establishesthefundamentalframeworkofmodemtranslationaesthetics,discussesmanyquestionsrelatedtotranslationlikeitsscientificandartisticfeatures,aestheticobject,aestheticsubjectandaestheticconsciousness,andpointsouttheaestheticstandardsandmethodstodifferentkindsofliteraryforms.'（MaoRonggui,2005:

253）

ArtisticconceptionisthesoulofclassicalChinesepoetry,andundoubtedlyitistheessenceinthetranslationofclassicalChinesepoetry.AnditevencanberegardedasthestandardforwhetherthetranslationofaclassicalChinesepoemisgoodornot.FortheartisticconceptionisonespecialcharacteristicofclassicalChinesepoetry,theformerstudiesonitstransferintheprocessoftranslationweremostlyconductedbyChinesescholarsrecentyears,manyscholarshaverecognizedtheimportanceofthetransferofartisticconceptionintranslation.YangHongqiu（1986）,ascholarinBeijingUniversity,publishedapapernamedArtisticConceptionandFuzzinessofLanguage:

onPoetryTranslation,inwhichshestatedthatitwasthefuzzystructurethatformedtheartisticconceptionofpoetry.DongWugang（1994）analyzedtheartisticconceptioninpoemsanditsconveyanceinhispaperTentativeCommentontheConveyanceoftheArtisticConceptionintheTranslationofPoems、ChenJing&ChenXinren（1998）explainedthecompositionofartisticconceptionofpoemsandprovidedsomeadviceonthetransferenceofit.Sun