On the documentary documentary and modernityWord文档下载推荐.docx

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Atruerecordofallthesocialandnaturalthingsarefilmsortelevisiondocumentaries.DocumentariesEnglishdocumenl,theliteraturehasnotforgedthecertificateofthemeaningofmeaning.InternationalDocumentaryMasterEvanssaidmorethanonce,thedocumentaryarecordofthingsnowtobecomeafuturehistory,documentary,itisthemaincharacteristicofnon-hypocrisy,whetherrecordsofpeople,ornaturallandscape,canbesaidthatthesoulisadocumentaryfilmdocumentaryofitsexpression.

Withthedevelopmentofthetimes,advancesintechnology.Isnolongera1895documentaryLumiereofFranceshot&

lt;

&

factorygate&

gt;

thetrainstops&

andotherexperimentaldocumentaryfilmbutthemoremodernfeatures.Theso-calledmodernityfromthemostbasicsense.Shouldbetoenablethoseelementsofmodernmodern.Modernityandtraditionalsocietyinopposition,withinnovation,newandchangingfeatures.

Documentaryisadocumentaryonthenatureofmodernityisitstimes.Differenttimes,presentedintheformofdocumentaryisalsodifferent.Butitspurposeisthesamethatarebasedonthedocumentary,tobetterexpresstheirideas.

First,thedocumentaryofmoderntechnologyThedevelopmentofthefilmisaproductoftheindustrialrevolution.Everyscienceandtechnologychange.Havegreatlypromotedthedevelopmentoffilmindustry.Ifthedevelopmentfromtheearlysilentfilmtosoundfilm,colorfilm,andthecurrentdigitalfilm.Documentarymoviesasaformofartisticexpressionbutalsothewaveofscientificand

technologicalchangewiththechange.

Highlydevelopedinscienceandtechnologytoday,peoplehavemoreandmorecontentcannotbeachievedtothecomputertocomplete.Timeandspacetocreateamiracle.U.S.digitaldomainLakeVan,presidentofDigitalPictures,declared:

digitaltechnologyintothefilmindustry,isthegreatestrevolutioninthe21stcentury.Followingthesoundchangeisalsosilent,blackandwhiteafteracolorchange.Thefilmindustryhasundergonerevolutionarychangesinthethird,itwillbringanewmovieidea.Sincecomputerassisteddigitaltechnology.Meanstoenrichtheperformanceofthefilm.Moreartisticappeal.

China,in2005large-scaleculturaldocumentaries&

Palace&

example,thefilmadoptstheinternationaladvancedanimationtechnology,borrowedfromavarietyoffilmtechniques,especiallythree-dimensionalimagestakenwithrealfilmmaking,time-lapsephotography,locationphotography,etc.Toenhancethefilm,sartisticandlaidagoodfoundation.Palaceastheancientbuildings,thehistoricalchangesinseveralhundredyearsintimeandspacehaveundergonetremendouschanges,inordertoreproducethescenewasbuiltsothatpeoplereallyfeelthattimeculture,theuseofthree-dimensionalvideoimagingtechnology,broadeningtheconceptoftimeandspace.BringpeoplebacktotheMingDynasty,builttheForbiddenCity,theemperorenthronement,peopleprayed.Palacefireandotherscenarios.Videotechnologytosimulatetheuseofthree-dimensionalstructureandthemainhallofthePalacebuildingprocess,isalsoveryintuitiveandstraightforward.Itall,iftraditional,boringexplanationtoaccountWillbemuchlessimpressiverecordofalsoweakened,lessthanidealresults.

Withthehigh-tech.Suchasnewmediaart,holographicimagingtechnology,thedevelopmentandwideapplicationofdocumentarywillalsobepresentedinmanydifferentformsinfrontofpeople.Butonethingisconstantandthatiscertainlytheexpressionofideologicalcontentanditsdocumentarynature,theuseofmoderntechnicalmeans,tobringtheGospeltothedocumentaryisalong-termdevelopment,makingthemeanstoenrichtheirperformance,ofcourse.Technologyisalwaysonlyameans.Inthedocumentary,canonlybetruefortheperformanceofthe

themeofservice.

Second,thecontentofthemoderndocumentaryNewdocumentaryinChina,wehavebeenconsideringcreationoftelevisiondocumentariesandvalueofthesubjectMostscholarsbelievethat:

anewperiodofsocialtransformationinChina,documentaryinpursuitofasocialandhistoricalvalue:

theothersoundthatdocumentarycreatorstoexpresspersonalthoughtsandvalues&

#8203;

ofthecarrier.Thedocumentaryiselitistartform.Infact,bothdocumentaryartiststomaintainthevalueandpurposeofwhatkindofcreativeideas.Televisiondocumentarymusthaveacoreconcept,itistoexplainthethinkingandideasareoftenhighlyabstractThekeypointis:

thedocumentaryartformdeterminesthatitcannotsimplyanddirectlyexplaintosummarizethethemeandpointofview,butalsosubjectiveassumptionscannotbeclosedtogotothemerits,astheartofdocumentarycreation.Theexpressionoftheirideasandconceptsinthenarrativestructureis,intheprocessofimagegroupthenexhibited.Documentaryusefacts.Intheprocessrevealsthemeaning,mustnotbecometheaccumulationofideasandthoughts.

Withthedevelopment,technologicaladvances,thecontentofthedocumentarywillbegreatchanges.DocumentarywhichhasbeentakennotonlyLumiere&

trainstop&

andsoon.Withtheexpansionofproductionactivitiesinthehumanpopulationmaybetheemergenceofnewformsofactivities,suchasthe9.11incidentshockedtheworld,spaceindustrydevelopment,humangenomemapping,etc.,thecontentwillbevideorecordedbyatrueandbecomethewitnessofthehistoricaldevelopmentofhumansociety.Inthepast,duetopeople'

sproductionpracticeislimited.Energyandenvironmenthavenotbeendestroyed,alongwiththeindustrializationprocessofdevelopment,thehumanlivingenvironmentisfacingunprecedentedchallengesofenergydepletionandecologicaldamagetotheenvironmentandsoon.FormerU.S.VicePresidentAlGorebegantolookintothematter;

takenbyhisorganizationenvironmentaldocumentary&

"

TheRealLies&

bytheworld,sattention.Andgetitapproved.Thisrecordcontent.Perhapsmanyyearsagocannotimagine.Documentaryfilmmakingreflectstheprocessofdevelopmentofhumansociety.Activitiesassociatedwiththesurvivalofhumanity.Repostedelsewhereinthepaperforfreedownload

Inaddition,becauseoftime,technologicaladvances,thepopularityofpersonaldigitalproducts.Makingadocumentaryphotographerisnotalwaysaprofessionalfilmmakeramateurenthusiastswillalsoenterintothisfield.Documentarywillbemorerichcontent.

Third,thedocumentaryModernaestheticthatMarxistaesthetics.PoweroftheUnitedStatesistheessentialemotionalshowintheobjectiveworld.DocumentaryisaRecordoftheprincipalinvested.Documentarydocumentaryaccompaniedbythedevelopmentoftheconcepthasalwaysbeenthepaceofgrowth.Bothinfluenceeachotherandinterdependent.DocumentarysourceofdoctrineisBazin,sfilmaesthetictheoryKracauerthenatureofthefilm-therehabilitationofphysicalreality"

theoryandMaqilietedocumentaryfilmtheory.AsanaestheticconceptDocumentarydoctrineinpursuitofamanwithoutpolish,thenaturalformationoftheUnitedStates,whichemphasizesthelifeoftheoriginalecologicalrecord,withmaterialtakenfromthesceneoflifeandexpresslifeitself,inthenaturalformoflife,oftenhiddenamongthoseeverydayphenomenaprofoundbeauty,documentaryisveryimportantthatthedoctrinebyafaithfulrecordoflifeandthelivesofordinarylifereproductionoftheUnitedStates."

creationofadocumentaryvideoartdocumentarycanachievebetterdoctrine,itsessenceistoemphasizetheimagehasthe”camerarestorationofnatureandmaterialreality.

Reviewtheevolutionfilmanyofahundredyearsthefieldoffilmandtelevisioncreativenewparadigmistheemergenceofauniqueaestheticexperienceastheultimatemotivation.Documentaryinitialstage.Wearepleasedtofindthatsomeofthecreatorsofcreativespiritisnotsubjecttotheprofessionalfilmandtelevisionproductiontraining,inthemindsofthesepioneershaveaccumulatedalotoffresh,uniqueaestheticexperience.Theyarenotmainstreamdocumentaryfilmmakerdocumentaryutilitarianthinkingandeliteartiststhoughtoffame,itcouldeasilybreaktheideologicalshacklesofthelawandthegeneralaesthetics,theconceptoftheWestundertheimpactofdocumentary.Tocreateabreakthroughintheoldmodelofthenewdocumentarymodel.Ifthebasicfunctionoftherecordasidedocumentariesaside,justtodiscussthecreationofadocumentary.So,asameansofexpressionandartisticcreationvideodocumentaryaesthetic.Itcontainsatleasttwomaincharacteristics:

originalityandexperiencenature.Aestheticexperienceisthebeginningofaestheticcreation,butalsorunsthroughthewholeprocessofaestheticcreation.Thereisnoaestheticexperience,cannottalkaboutart.Atbestisa"

production/Aestheticexperienceandaestheticobjectofaestheticsubjectistheintegrationprocess,withahighdegreeoforiginalityandpersonalizationfeatures.

Documentarycreation.Theapproachhasthreecharacteristics:

First,alonglens.Second,thehostplusTongQisheng.Third,thedetaileddescription.Longshotintheobjectivespaceandtimedisplay,emphasizingthetruefaceofthings,thatitsauthenticity,hasanabsoluteadvantage:

it'

sveryinclusiv

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