On the documentary documentary and modernityWord文档下载推荐.docx
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Atruerecordofallthesocialandnaturalthingsarefilmsortelevisiondocumentaries.DocumentariesEnglishdocumenl,theliteraturehasnotforgedthecertificateofthemeaningofmeaning.InternationalDocumentaryMasterEvanssaidmorethanonce,thedocumentaryarecordofthingsnowtobecomeafuturehistory,documentary,itisthemaincharacteristicofnon-hypocrisy,whetherrecordsofpeople,ornaturallandscape,canbesaidthatthesoulisadocumentaryfilmdocumentaryofitsexpression.
Withthedevelopmentofthetimes,advancesintechnology.Isnolongera1895documentaryLumiereofFranceshot&
lt;
&
factorygate&
gt;
thetrainstops&
andotherexperimentaldocumentaryfilmbutthemoremodernfeatures.Theso-calledmodernityfromthemostbasicsense.Shouldbetoenablethoseelementsofmodernmodern.Modernityandtraditionalsocietyinopposition,withinnovation,newandchangingfeatures.
Documentaryisadocumentaryonthenatureofmodernityisitstimes.Differenttimes,presentedintheformofdocumentaryisalsodifferent.Butitspurposeisthesamethatarebasedonthedocumentary,tobetterexpresstheirideas.
First,thedocumentaryofmoderntechnologyThedevelopmentofthefilmisaproductoftheindustrialrevolution.Everyscienceandtechnologychange.Havegreatlypromotedthedevelopmentoffilmindustry.Ifthedevelopmentfromtheearlysilentfilmtosoundfilm,colorfilm,andthecurrentdigitalfilm.Documentarymoviesasaformofartisticexpressionbutalsothewaveofscientificand
technologicalchangewiththechange.
Highlydevelopedinscienceandtechnologytoday,peoplehavemoreandmorecontentcannotbeachievedtothecomputertocomplete.Timeandspacetocreateamiracle.U.S.digitaldomainLakeVan,presidentofDigitalPictures,declared:
digitaltechnologyintothefilmindustry,isthegreatestrevolutioninthe21stcentury.Followingthesoundchangeisalsosilent,blackandwhiteafteracolorchange.Thefilmindustryhasundergonerevolutionarychangesinthethird,itwillbringanewmovieidea.Sincecomputerassisteddigitaltechnology.Meanstoenrichtheperformanceofthefilm.Moreartisticappeal.
China,in2005large-scaleculturaldocumentaries&
Palace&
example,thefilmadoptstheinternationaladvancedanimationtechnology,borrowedfromavarietyoffilmtechniques,especiallythree-dimensionalimagestakenwithrealfilmmaking,time-lapsephotography,locationphotography,etc.Toenhancethefilm,sartisticandlaidagoodfoundation.Palaceastheancientbuildings,thehistoricalchangesinseveralhundredyearsintimeandspacehaveundergonetremendouschanges,inordertoreproducethescenewasbuiltsothatpeoplereallyfeelthattimeculture,theuseofthree-dimensionalvideoimagingtechnology,broadeningtheconceptoftimeandspace.BringpeoplebacktotheMingDynasty,builttheForbiddenCity,theemperorenthronement,peopleprayed.Palacefireandotherscenarios.Videotechnologytosimulatetheuseofthree-dimensionalstructureandthemainhallofthePalacebuildingprocess,isalsoveryintuitiveandstraightforward.Itall,iftraditional,boringexplanationtoaccountWillbemuchlessimpressiverecordofalsoweakened,lessthanidealresults.
Withthehigh-tech.Suchasnewmediaart,holographicimagingtechnology,thedevelopmentandwideapplicationofdocumentarywillalsobepresentedinmanydifferentformsinfrontofpeople.Butonethingisconstantandthatiscertainlytheexpressionofideologicalcontentanditsdocumentarynature,theuseofmoderntechnicalmeans,tobringtheGospeltothedocumentaryisalong-termdevelopment,makingthemeanstoenrichtheirperformance,ofcourse.Technologyisalwaysonlyameans.Inthedocumentary,canonlybetruefortheperformanceofthe
themeofservice.
Second,thecontentofthemoderndocumentaryNewdocumentaryinChina,wehavebeenconsideringcreationoftelevisiondocumentariesandvalueofthesubjectMostscholarsbelievethat:
anewperiodofsocialtransformationinChina,documentaryinpursuitofasocialandhistoricalvalue:
theothersoundthatdocumentarycreatorstoexpresspersonalthoughtsandvalues&
#8203;
ofthecarrier.Thedocumentaryiselitistartform.Infact,bothdocumentaryartiststomaintainthevalueandpurposeofwhatkindofcreativeideas.Televisiondocumentarymusthaveacoreconcept,itistoexplainthethinkingandideasareoftenhighlyabstractThekeypointis:
thedocumentaryartformdeterminesthatitcannotsimplyanddirectlyexplaintosummarizethethemeandpointofview,butalsosubjectiveassumptionscannotbeclosedtogotothemerits,astheartofdocumentarycreation.Theexpressionoftheirideasandconceptsinthenarrativestructureis,intheprocessofimagegroupthenexhibited.Documentaryusefacts.Intheprocessrevealsthemeaning,mustnotbecometheaccumulationofideasandthoughts.
Withthedevelopment,technologicaladvances,thecontentofthedocumentarywillbegreatchanges.DocumentarywhichhasbeentakennotonlyLumiere&
trainstop&
andsoon.Withtheexpansionofproductionactivitiesinthehumanpopulationmaybetheemergenceofnewformsofactivities,suchasthe9.11incidentshockedtheworld,spaceindustrydevelopment,humangenomemapping,etc.,thecontentwillbevideorecordedbyatrueandbecomethewitnessofthehistoricaldevelopmentofhumansociety.Inthepast,duetopeople'
sproductionpracticeislimited.Energyandenvironmenthavenotbeendestroyed,alongwiththeindustrializationprocessofdevelopment,thehumanlivingenvironmentisfacingunprecedentedchallengesofenergydepletionandecologicaldamagetotheenvironmentandsoon.FormerU.S.VicePresidentAlGorebegantolookintothematter;
takenbyhisorganizationenvironmentaldocumentary&
"
TheRealLies&
bytheworld,sattention.Andgetitapproved.Thisrecordcontent.Perhapsmanyyearsagocannotimagine.Documentaryfilmmakingreflectstheprocessofdevelopmentofhumansociety.Activitiesassociatedwiththesurvivalofhumanity.Repostedelsewhereinthepaperforfreedownload
Inaddition,becauseoftime,technologicaladvances,thepopularityofpersonaldigitalproducts.Makingadocumentaryphotographerisnotalwaysaprofessionalfilmmakeramateurenthusiastswillalsoenterintothisfield.Documentarywillbemorerichcontent.
Third,thedocumentaryModernaestheticthatMarxistaesthetics.PoweroftheUnitedStatesistheessentialemotionalshowintheobjectiveworld.DocumentaryisaRecordoftheprincipalinvested.Documentarydocumentaryaccompaniedbythedevelopmentoftheconcepthasalwaysbeenthepaceofgrowth.Bothinfluenceeachotherandinterdependent.DocumentarysourceofdoctrineisBazin,sfilmaesthetictheoryKracauerthenatureofthefilm-therehabilitationofphysicalreality"
theoryandMaqilietedocumentaryfilmtheory.AsanaestheticconceptDocumentarydoctrineinpursuitofamanwithoutpolish,thenaturalformationoftheUnitedStates,whichemphasizesthelifeoftheoriginalecologicalrecord,withmaterialtakenfromthesceneoflifeandexpresslifeitself,inthenaturalformoflife,oftenhiddenamongthoseeverydayphenomenaprofoundbeauty,documentaryisveryimportantthatthedoctrinebyafaithfulrecordoflifeandthelivesofordinarylifereproductionoftheUnitedStates."
creationofadocumentaryvideoartdocumentarycanachievebetterdoctrine,itsessenceistoemphasizetheimagehasthe”camerarestorationofnatureandmaterialreality.
Reviewtheevolutionfilmanyofahundredyearsthefieldoffilmandtelevisioncreativenewparadigmistheemergenceofauniqueaestheticexperienceastheultimatemotivation.Documentaryinitialstage.Wearepleasedtofindthatsomeofthecreatorsofcreativespiritisnotsubjecttotheprofessionalfilmandtelevisionproductiontraining,inthemindsofthesepioneershaveaccumulatedalotoffresh,uniqueaestheticexperience.Theyarenotmainstreamdocumentaryfilmmakerdocumentaryutilitarianthinkingandeliteartiststhoughtoffame,itcouldeasilybreaktheideologicalshacklesofthelawandthegeneralaesthetics,theconceptoftheWestundertheimpactofdocumentary.Tocreateabreakthroughintheoldmodelofthenewdocumentarymodel.Ifthebasicfunctionoftherecordasidedocumentariesaside,justtodiscussthecreationofadocumentary.So,asameansofexpressionandartisticcreationvideodocumentaryaesthetic.Itcontainsatleasttwomaincharacteristics:
originalityandexperiencenature.Aestheticexperienceisthebeginningofaestheticcreation,butalsorunsthroughthewholeprocessofaestheticcreation.Thereisnoaestheticexperience,cannottalkaboutart.Atbestisa"
production/Aestheticexperienceandaestheticobjectofaestheticsubjectistheintegrationprocess,withahighdegreeoforiginalityandpersonalizationfeatures.
Documentarycreation.Theapproachhasthreecharacteristics:
First,alonglens.Second,thehostplusTongQisheng.Third,thedetaileddescription.Longshotintheobjectivespaceandtimedisplay,emphasizingthetruefaceofthings,thatitsauthenticity,hasanabsoluteadvantage:
it'
sveryinclusiv