历年在职研究生考试真题Word文件下载.docx

历年在职研究生考试真题Word文件下载.docx

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　　A.EnglandB.FranceC.TheUnitedStatesD.China

　　54.Thepossiblereasonwhyitiscalledsquaredanceisthat_______

　　A.Squaredanceischaracterizedbyfourcouples,oreightdancers

　　B.Eachdanceisstartedandfinishedintheoriginalsquarformation

　　C.squaredancersoftengotodanceinpublicsquareorinapark

　　D.squaredanceisafast-paced,livelytypeoffolkdance

　　55.Accordingtothepassage,inasquaredanceacallermaydothefollowingthingsEXCEPT_____

　　A.creatinglogicaldancesequences

　　B.namingaspecificdancemovement

　　C.makingveryimportanttelephonecalls

　　D.makingdancecallsthatmatchtheexpectationsandabilitiesofthedancers

　　56.Thereaermanydifferentsquaredancemusicalsusedinsquaredanceaccordingto______

　　A.differentweather

　　B.differentpeople

　　C.differenttypeofsquaredance

　　D.differentsquaredancecallers

　　57.Inthesecondlineofthefirstparagraph,thephrase”ischaracterizedby”means_____

　　A.isorderedbyB.isdonebyC.isfollowedbyD.isfeaturedby

　　Questions58to62arebasedonthefollowingpassage:

　　TheNewSpringPaintengExhibitionopensinFebruaryatSunYat-senPark,Beijing.Theshowfeaturessome40artistsfromdifferentgenerations,includinginfluentialolderartistssuchasLiuHaisuandWuZuoren,allofwhomadvocateanapoliticalapproachtoart-making.

　　Asignificantmomentinthedevelopmentofthis“NewAcademicism”occursinSeptemberwhenseveralmuralsareunveiledattheBeijingIntemationalAirport.YuanYunsheng’sWater-SplashingFestival:

OdetoLifeincludesnudefemalefigures,whichtriggersaseriouscontroversyovernudityinpublicart.（Themuralisboardedoverin1981.）

　　InFebrualyagroupoftwelveartistsinShanghaiorganizeanexhibitionatthePalaceofinfants,HuangpudistrictitisChina’sfirstmodemistshowsincemid-century.TheworksareinfluencedimpressionismandPostimpressionism.consideredradicalinthepost-CulturalRevorurioncontext,althoughthesubjeetsaretraditional（birds,flowers,etc）.Sear-PaintmgandtheSrargroupemergeasthetwomostimportantartmovementsof1979.Bothaimatcriticizing.therealitiesofcontemporaryChinaandoftenportraytheCulturalRevolutionnegatively.ScarPainting.partofabroadermovementcalledNewRealisticPainting.takesitsnamefromarelatedliterarytendency.ThetermreferstotheemotionalwoundsinflictedontheChinese-especiallyintellectuals,students,andoldercadrc-bytheCulturalRevolution.Forexample,ChengConglin’sPainting,ACertainMonthofaCertainDayin1968andtheillustrationstoZhengYi’sshortstory”Maple,”byLiuYulian,ChenYiming,andLiBin,describethetragicresultsofRedGuardbattlesduringtheCulturalRevoiution.

　　Thegroup’sfirstexhibition,inSeptember1979,isaprovocativedisplayofworkhungwithoutofficialpermissiononthefenceoutsidetheNationalGallery,Beijing.Aftertheexhibitionisdisruptedbythepolice,theartistspostanoticeonDemocracyWallandstageaprotestmarch.TheStars’firstformalexhibition,heldinBeihaipark,Beijing,inNovember,includes163worksby23nonprofessionalartists.

　　58.AccordingTotheauthor,TheNewSpringPaintingExhibitionincludes______.

　　A.theworksbyabout40famousartistsofdifferentgenerations

　　B.theworksbyabout40oldartists

　　C.theworksbyabout40youngartists

　　D.onlyabout40influentialvisitors

　　59.Fromthethirdparagraph,wecanknowthatChina’firstmodernistshowsincemid-centurywasheld_____.

　　A.inBeijingB.inShanghaiC.inNanjingD.inbothBejingandShanghai

　　60.Inthispassage,theword“exhibition”means_____.

　　A.ashowofartisticworks

　　B.ameetingofinfluentialpeople

　　C.amovementofartisticpainting

　　D.avisitofbeautifulplace

　　61.Afiertheexhibitionheldbythestarartistswasdisruptedbythepolice,whatdidtheydo?

　　A.Theylaunchedaprotestmarch.

　　B.Theycelebratedtheirsuccess.

　　C.Theyaskedthelocalgovemmentforhelp.

　　D.TheywentoBeijingPark,Beijing.

　　62.Inthelastlineofthelastparagraph,thephrase”nonprofessionalartists”means____.

　　A.allprofessionalartists

　　B.notprofessionalartists

　　C.notgoodartists

　　D.notfamousartists

　　Questions63to67arebasedonthefollowingpassage:

　　TheItalianRenaissancewasoneofthemostproductiveperiodsinthehistoryofart,withlargenumbersofoutstandingmasterstobefoundinmanycentersandinallthemajorfieldspainting,seulpture,andarchitecture.InFlorence,inthefirsthalfofthefifteenthcentury,thereweregreatinnovatorsinallthesefilds,whoseworkmarkedabeginningofanewerainthehistoryofart.

　　TheseinnovatorsincludedMasaccioinpainting,Brunelleschiinarchitecture,andDonatelloinsculpture.theirnewidealsandnethodsweresystematizedinthetheoreticalwritingsoftheirfriendandfellowartistLeonBattistaAlberti.Theretofore,hehadbeenanartisan,acraftsman.Nowtheattemptwasmadetoincludeartistsamongthepractitionersofthe“liberalarts,”whichwereregardedasbeingonahigherlevelthanthe“mechanical.”

　　Theseeffortsborefruit,andsomeofthegreatmasters,forexample,TitianandMichelangelo,bytheforceoftheirgeniusandpersonality,wereabletoachieveameasureofsatatusandresoectrarelyenjoyedbytheirpredecessors.Theideaofartisticgeniusbecamepopular,Michelangelowascalled”divine’becauseofthegreatnessofhiscreativepowers.

　　IntheRenaissance,artandsciencewerecloselyconnected.Boththeartistandthescientiststroveforthemasteryofthephysicalword,andtheartofpaintingprofitedbytwofieldsofstudythatmaybecalledscientific:

anatomy,whichmadepossibleamoreaccuratereoresentationofthehumanbody,andmathematicalperspective.Perspectiveinpaintingistherenderingonatwo-dimensionalsurfaceoftheillusionofthreedimensions.Previouspaintershadachievedthissffectbyempiricalmeans,butthediscoveryofamathematicalmethodofattainingathree-dimensionalimpessionisattributedtoBrunelleschiinabout1420.Henceforth,themethodcouldbesystematicallystudiedandexplained,anditbecameoneofthechiefinstrumentsofartists,especiallypainters,intheirpursuitofreality.Somemenwerebothartistsandscientists,notablyLeonardodaVincianPierodellaFancesca.Itisdoubtfulwhethertheywouldhaveunderstoodourdistinctionbetweenartandscience.

　　63.ThispassagemainlydiscussesthegreatartistswholivedduringtheperiodoftheRenaissance______.

　　A.inBritainB.inFranceC.inItalyD.inEurope

　　64.Fromthe2ndparagraph,whatchangecanweknowabouttheartistsinthisperiod?

　　A.Therewasachangeofhighersocialstatusoftheartists.

　　B.Therewasachangeoflowersocialstatusoftheartists.

　　C.Therewasachangeofbetterfinanceoftheartists.

　　D.Therewasachangeofbetterjobsfortheartists.

　　65.InthelastlineofParagraph3,theword“powers’means_____.

　　A.politicalforcesB.politicalrightsC.creativeworksD.creativetalents

　　66.Whichofthefollowingisnotimpliedinthelastparagraph?

　　A.IntheRenaissance,artandsciencewerecloselyconnected.

　　B.LeonardodaVinciandPierodellaFrancescawerebothartistsandscientists.

　　C.Thediscoveryofamathematicalmethodofattainingathree-dimensionalimpressionisattributedtoBrunelleschiinabout1420

　　D.ItisquitesurethatLeonardodaVinciwouldhaveunderstoodourdistinctionbetweenartandscience.

　　67.Inthelastparagraph,theword”distinction”means______.

　　A.similarfeaturesB.differentdefinitions

　　C.simpleunderstandingD.moderncomparison

　　四、论述题（A、B两组各限选一小题，每题30分，共60分，每题字数在600字左右）

　　A组：

　　1.简论艺术制造性思维的根本特征。

　　2.简论如何在艺术作品中讲好中国故事。

　　3.简论如何树立以人民为中心的创作向导。

　　4.简论艺术精品的传承价值。