AmericanLiteraturemajormovementsandterms-Rancho.docx

1、American Literature major movements and termsNative American The dates for this period are very unclear because we have absolutely no idea when they started. Much of the literature of that period were myths, and, of course, the Native Americans still write today. Most of what our text calls Native A

2、merican myths were written long before Europeans settled in North America.Puritan (1472-1750) Most of this is histories, journals, personal poems, sermons, and diaries. Most of this literature is utilitarian, very personal, or religious. We call it Puritan because the majority of the writers during

3、this period were strongly influenced by Puritan ideals and values. Jonathan Edwards continues to be recognized from this period.Enlightenment (1750-1800) Called the Enlightenment period due to the influence of science and logic, this period is marked in US literature by political writings. Genres in

4、cluded political documents, speeches, and letters. Benjamin Franklin is typical of this period. There is a lack of emphasis and dependence on the Bible and more use of common sense (logic) and science. There was not a divorce from the Bible but an adding to or expanding of the truths found there.Rom

5、anticism (1800-1840) - Romanticism was a literary and artistic movement of the nineteenth century that arose in reaction against eighteenth-century Neoclassicism and placed a premium on fancy, imagination, emotion, nature, individuality, and exotica.Theres a movement here from personal and political

6、 documents to entertaining ones. Purely American topics were introduced such as frontier life. Romantic elements can be found in the works of American writers as diverse as Cooper, Poe, Thoreau, Emerson, Dickinson, Hawthorne, and Melville. Romanticism is particularly evident in the works of the New

7、England Transcendentalists.Transcendentalism (1840-1855) -Transcendentalism was an American literary and philosophical movement of the nineteenth century. The Transcendentalists, who were based in New England, believed that intuition and the individual conscience “transcend” experience and thus are

8、better guides to truth than are the senses and logical reason.Influenced by Romanticism, the Transcendentalists respected the individual spirit and the natural world, believing that divinity was present everywhere, in nature and in each person. The Transcendentalists included Ralph Waldo Emerson, He

9、nry David Thoreau, Bronson Alcott, W.H. Channing, Margaret Fuller, and Elizabeth Peabody. The anti- Transcendentalist (Hawthorne and Melville) rebelled against the philosophy that man is basically good. A third group, the Fireside poets, wrote about more practical aspects of life such as dying and p

10、atriotism.Realism (1865-1915) - Realism is the presentation in art of the details of actual life. Realism was also a literary movement that began during the nineteenth century and stressed the actual as opposed to the imagined or the fanciful. The Realists tried to write truthfully and objectively a

11、bout ordinary characters in ordinary situations. They reacted against Romanticism, rejecting heroic, adventurous, unusual, or unfamiliar subjects. The Realists, in turn, were followed by the Naturalists, who traced the effects of heredity and environment on people helpless to change their situations

12、. American realism grew from the work of local-color writers such as Bret Harte and Sarah Orne Jewett and is evident in the writings of major figures such as Mark Twain and Henry James.Naturalism An outgrowth of Realism, Naturalism was a literary movement among novelists at the end of the nineteenth

13、 century and during the early decades of the twentieth century. The Naturalists tended to view people as hapless victims of immutable natural laws. Early exponents of Naturalism included Stephen Crane, Jack London, and Theodore Dreiser.Regionalism Another outgrowth of Realism, Regionalism in literat

14、ure is the tendency among certain authors to write about specific geographical areas. Regional writers like Willa Cather and William Faulkner, present the distinct culture of an area, including its speech, customs, beliefs, and history. Local-color writing may be considered a type of Regionalism, bu

15、t Regionalists, like the southern writers of the 1920s, usually go beyond mere presentation of cultural idiosyncrasies and attempt, instead, a sophisticated sociological or anthropological treatment of the culture of a region.Imagism Imagism was a literary movement that flourished between 1912 and 1

16、927. Led by Ezra Pound and Amy Lowell, the Imagist poets rejected nineteenth-century poetic forms and language. Instead, they wrote short poems that used ordinary language and free verse to create sharp, exact, concentrated pictures.Modern Age (1915-1946) An age of disillusionment and confusionjust

17、look at what was happening in history in the US during these datesthis period brought us perhaps our best writers. The authors during this period raised all the great questions of lifebut offered no answers. Faulkner, Steinbeck, Fitzgerald, Hemingway, and Frost are all examples.Harlem Renaissance Pa

18、rt of the Modern Age, The Harlem Renaissance, which occurred during the 1920s, was a time of African American artistic creativity centered in Harlem, in New York City. Writers of the Harlem Renaissance include Countee Cullen, Claude McKay, Jean Toomer, Langston Hughes, and Arna Bontemps.Contemporary

19、 (1946-present) great stuff, but not a clear philosophy.Other terms to know:Classicism Classicism is an approach to literature and the other arts that stresses reason, balance, clarity, ideal beauty, and orderly form in imitation of the arts of ancient Greece and Rome. Classicism is often contrasted

20、 with Romanticism, which stresses imagination, emotion, and individualism. Classicism also differs from Realism, which stresses the actual rather than the ideal.Local Color Local Color is the use in a literary work of characters and details unique to a particular geographic area. Local color can be

21、created by the use of dialect and by descriptions of customs, clothing, manners, attitudes, scenery, and landscape. Local- color stories were especially popular after the Civil War, bringing readers the West of Bret harte, the Mississippi River of Mark Twain, and the New England of Sarah Orne Jewett

22、.Gothic Gothic refers to the use of primitive medieval, wild, or mysterious elements in literature. Gothic elements offended eighteenth-century classical writers but appealed to the Romantic writers who followed them. Gothic novels feature places like mysterious and gloomy castles, where horrifying,

23、 supernatural events take place. Their influence on Edgar Allan Poe is evident in “The Fall of the House of Usher.”Grotesque Grotesque refers to the use of bizarre, absurd, or fantastic elements in literature. The grotesque is generally characterized by distortions or striking incongruities. Grotesq

24、ue characters, like those in Flannery OConnors “The Life You Save May Be Your Own” are characters who have become ludicrous or bizarre through their obsession with an idea or value, or as a result of an emotional problem.American Literature Timeline: Featured authors and works COLONIAL PERIOD 1607-1

25、765Description: It is likely that no other colonists in the history of the world were as intellectual as the Puritans. Between 1630 and 1690, there were as many university graduates in the northeastern section of the United States, known as New England, as in the mother country - an astounding fact

26、when one considers that most educated people of the time were aristocrats who were unwilling to risk their lives in wilderness conditions. The self-made and often self-educated Puritans were notable exceptions.They wanted education to understand and execute Gods will as they established their coloni

27、es throughout New England.The Puritan definition of good writing was that which brought home a full awareness of the importance of worshipping God and of the spiritual dangers that the soul faced on Earth. Puritan style varied enormously - from complex metaphysical poetry to homely journals and crus

28、hingly pedantic religious history. Whatever the style or genre, certain themes remained constant. Life was seen as a test; failure led to eternal damnation and hellfire, and success to heavenly bliss. This world was an arena of constant battle between the forces of God and the forces of Satan, a for

29、midable enemy with many disguises. Many Puritans excitedly awaited the millennium, when Jesus would return to Earth, end human misery, and inaugurate 1,000 years of peace and prosperity.Scholars have long pointed out the link between Puritanism and capitalism: Both rest on ambition, hard work, and a

30、n intense striving for success. Although individual Puritans could not know, in strict theological terms, whether they were saved and among the elect who would go to heaven, Puritans tended to feel that earthly success was a sign of election. Wealth and status were sought not only for themselves, bu

31、t as welcome reassurances of spiritual health and promises of eternal life.Moreover, the concept of stewardship encouraged success. The Puritans interpreted all things and events as symbols with deeper spiritual meanings, and felt that in advancing their own profit and their communitys well-being, t

32、hey were also furthering Gods plans. They did not draw lines of distinction between the secular and religious spheres: All of life was an expression of the divine will - a belief that later resurfaces in Transcendentalism.In recording ordinary events to reveal their spiritual meaning, Puritan authors commonly cited the Bible, chapter and verse. History was a symbolic religious panorama leading to the Puritan triumph over the New World and to Gods kingdom on Earth.The first Puritan colonists who settled New England exemplified the seriousness of