《试吧》高中全程训练计划英语高考仿真模拟卷二.docx

《试吧》高中全程训练计划英语高考仿真模拟卷二.docx

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《试吧》高中全程训练计划英语高考仿真模拟卷二

高考仿真模拟卷

（二）

本试卷分第Ⅰ卷（选择题）和第Ⅱ卷（非选择题）两部分。

第Ⅰ卷

第一节　（共5小题；每小题1.5分，满分7.5分）

听下面5段对话。

每段对话后有一个小题，从题中所给的A、B、C三个选项中选出最佳选项，并标在试卷的相应位置。

听完每段对话后，你都有10秒钟的时间来回答有关小题和阅读下一小题。

每段对话仅读一遍。

1．Whatisthemandoing?

A.Givingasuggestion.

B.Askingforinformation.

C.Makinganintroduction.

2．Whatdoesthemanwantthewomantodo?

A.VisitNelsontomorrow.

B.Haveapartyatherhouse.

C.KeepthepartysecretfromNelson.

3．Whendoestheplaystart?

A.At7：

45.B.At8：

05.C.At8：

45.

4．HowdoesthewomanknowthatJohnfailedtheexam?

A.Fromhisexpression.B.Fromhispaper.C.Fromtheman.

5．Whatarethetwospeakerstalkingabout?

A.Wheretodoresearch.

B.Whichclubtojoin.

C.Howtohaveadebate.

第二节（共15小题；每小题1.5分，满分22.5分）

听下面5段对话或独白。

每段对话或独白后有几个小题，从题中所给的A、B、C三个选项中选出最佳选项，并标在试卷的相应位置。

听每段对话或独白前，你将有时间阅读各个小题，每小题5秒钟；听完后，每小题将给出5秒钟的作答时间。

每段对话或独白读两遍。

听第6段材料，回答第6、7题。

6．HowdidthemangotoChangsha?

A.Bytrain.B.Byplane.C.Bycar.

7．Wheredidthemanseesomefamousactors?

A.AtHunanProvincialMuseum.

B.AtYueluMountain.

C.AtJuzizhou.

听第7段材料，回答第8、9题。

8．Whatdoesthewomanusuallyhaveforbreakfast?

A.Acupofmilk.

B.Acupoforangejuice

C.Acupofcoffeewithcream.

9．Whatwillthemandofirst?

A.CookthemealB.Makeacall.C.Fixthetap.

听第8段材料，回答第10至12题。

10．WhenwasthemagazineReader'sDigestfounded?

A.In1954.B.In1933.C.In1922.

11．WhofoundedthemagazineNewsweek?

A.ThomasJ．C.Martyn.B.DeWittWallace.

C.HenryLuce.

12．Whichmagazinewasfoundedin1952?

A.Fortune.B.Life.C.House&Home.

听第9段材料，回答第13至16题。

13．Whydidthemanbuyasweaterthathedoesn'tlike?

A.Hewaspushedbythesalesman.

B.Itwassoldatalowprice.

C.Itisthelatestfashion.

14．Whatcolorsweaterdidthemanbuy?

A.Blue.B.Black.C.Brown.

15．Whatdoesthemandislikemostaboutthesweater?

A.Theshortsleeves.B.Thehighneck.C.Thepattern.

16．Whatdoesthemandecidetodo?

A.Sendhiswifetogoshoppingnexttime.

B.Learntosaynotopushysalesmen.

C.Refusetomakethefinaldecision.

听第10段材料，回答第17至20题。

17.Whichgradearethelistenersinrightnow?

A.Thefourthgrade.B.Thefifthgrade.C.Thesixthgrade.

18．Wherewillthebookexchangetakeplace?

A.Inthelibrary.

B.Outsidetheclassroom.

C.Atthecommunitycenter.

19．Whenshouldthelistenersstarttobringinbooks?

A.NextMonday.B.NextTuesday.C.NextSaturday.

20．What'sthepurposeofthetalk?

A.Tohelppeoplereadmorebooks.

B.Tocallonstudentstodonatebooks.

C.TofindvolunteersfortheStudentUnion.

第二部分　阅读理解（共两节，满分40分）

第一节　（共15小题；每小题2分，满分30分）

阅读下列短文，从每题所给的四个选项（A、B、C和D）中，选出最佳选项。

A

（2017·河北“五个一名校联盟”高三教学质量监测）

AssistantProfessorinMusicalTheatreDance

WichitaStateUniversityseeksafulltime,9monthassistantprofessor,beginninginAugust.Applicantsarerequiredtohaveadegreeindancearea,teachingexperienceataprofessionalorcollegelevel,abilitytodirectandteachstagemovement,Thesalarydependsonqualificationsandexperience.

Forcompleteinformationvisithttp：

//finearts.wichita.edu.

FullProfessorinTheatreandDance

TheDepartmentofTheatreandDanceattheUniversityofCaliforniaatSanDiego（http：

//www.theatre.ucsd.edu）isseekinganexperiencedtheatreartistinlightingdesign.Applicantsmustworkforusforatleastoneyear.Significantprofessionalexperienceisrequired.Thispositionisexpectedtoteachatbothgraduateandundergraduatelevels.

AreviewofapplicationswillstartonJune1st.Applicationdeadline:

September1st.

TechnicalDirectorinPerformingandFineArts

DeSalesUniversity'sPerformingandFineArtsDepartmentseeksahighlyskilled,professionaltechnicaldirector.Thepositionisa10monthstaffpositionwiththepossibilityofsummeremploymentwiththePennsylvaniaShakespeareFestival.Professionalexperienceisrequired;MFAispreferred.

Pleaseemailmaterialstojohn.bell@desales.edu.Screeningofapplicationsbeginsimmediatelyandwillcontinueuntilthepositionisfilled.

AssistantDirector—MediaResourcesCenter

MarylandInstituteCollegeofArtisseekinganassistantdirectorofMediaResourcesCenterintheAcademicAffairsDivision.

QualificationsforthepositionincludeadegreeinArtHistoryorrelatedfieldswithknowledgeofartanddesignhistory,libraryexperience,excellentinterpersonalcommunicationskillsandfamiliaritywithphotoshopandscanning.

Areviewofapplicationswillbeginimmediately;jobannouncementswillremainopenuntilthepositionisfilled.Applicantsarerequiredtoworkforusatleast11monthsandcansendemailstojobs@mica.edu.Thesalarydiffersdependingonyourexperience.Pleaseincludeyourdesiredsalaryinyourapplicationletter.

21．Ifanapplicanthas9.5monthfreetime,heorshecanpaycloseattentiontotheadof________.

A.FullProfessorinTheatreandDance

B.AssistantProfessorinMusicalTheatreDance

C.TechnicalDirectorinPerformingandFineArts

D.AssistantDirector—MediaResourcesCenter

22．Ifyouhaveexcellentinterpersonalcommunicationskills,youcanapplyto________.

A.WichitaStateUniversityB.theUniversityofCalifornia

C.DeSalesUniversityD.MarylandInstituteCollegeofArt

23．Accordingtotheadvertisements,wecanlearnthat________.

A.allthejobsmentionedinthetextrequireexperience

B.allthejobsmentionedabovepromiseagoodsalary

C.allthereviewsofapplicationswillbeginimmediately

D.allthejobannouncementswillremainopenuntilthepositionsarefilled

B

（2017·湖南东部六校高三联考）

IwasbornandraisedinEnglandinaculturewhereprivacyand“keepingyourselftoyourself”werevaluedtraditions.Speakingtostrangerswasnotencouraged.Peopleweremosthospitable（好客的）andfriendly—butonlyoncetheyhadbeenintroducedtonewpeople.

However,IhavebeenluckyenoughtospendsometimeinbothItalyandtheUS,whereIfoundtraditionsofhospitalityandpolitenesstobeverydifferent.

IexperiencedItalianhospitalityfirsthandonacrowdedrailwaycarriagetravelling,oneafternoon,fromGenoatoFlorence.Sinkinggratefullyintoanemptyseat,Iwasberated（训斥）inrapidItalianbyagentlemanwhowasreturningtothisseat—ithadnotbeen“spare”afterall.IapologizedinEnglish,andgotuptoallowhimbackintotheseat.ThegentlemanobviouslyhadnounderstandingoftheEnglishlanguage,buthe,too,realizedmygenuinemistake.Hesmiledandgesturedformetoremainintheseat,andhehimselfremainedstandinginthecorridorfortheremainderofthejourney.Theotheroccupantsofthecarriagesmiledandnoddedatmeandmademefeelquitewelcomeamongstthem.IfeelthatifthishadbeeninEngland,aforeignerwhomadeamistakewouldnotalwaysbesokindlytreated.

TransportalsofeaturedinthedifferencesInoticedbetweenEnglishandAmericanculture.IflewtoNewYorkonaplanewithmainlyEnglishpassengers.Wesattogetherinnearsilence.Nobodyspoketomenor,asIexpected,toanyoneelsetheydidnotknow.Theyfeltitwasnotpolitetointrudeonsomeoneelse'sprivacy.However,whenItravelledacrosstheUnitedStates,whetherbyplaneorGreyhoundbus,Iwasnevershortofconversation.Conversationwasgoingonallaroundmeandwhoeversatnexttomewashappytointroducethemselvesandaskmeaboutmyself.Theyobviouslyfeltitwouldhavebeenrudenottospeaktoanotherperson,whethertheywerestrangersornot.

24．WhatdoweknowabouttheoccupantsofthecarriagewhentheauthorwastravellinginItaly?

A.Theyalllaughedattheauthorforhismistake.

B.Theywereallonthesideofthegentleman.

C.Theywouldnotbearamistakeliketheauthor'sinpublic.

D.Theyallshowedtheirunderstandingoftheauthor'smistake.

25．TheauthorfinallybelievestheItalianpeopleare________.

A.coldB.rudeC.hospitableD.helpful

26.Accordingtothelastparagraph,Englishpassengerssatinnearsilencebecause________.

A.theywereallstrangerstoeachother

B.theyweretootiredtospeak

C.privacywasavaluedtraditioninEngland

D.everybodyhadtheirownshareofprivacy

27．Thepurposeoftheauthoristotellus________.

A.histravellingexperience

B.culturaldifferencestoshowhospitalityandpoliteness

C.thecultureshockheexperiencedinItalyandtheUS

D.howtoadaptourselvestoanewculture

C

（2017·山西重点中学协作体高考适应性考试）

IfFridaKahlo（1907～1954）istodayoneofthebestknownandmostpopularfiguresof20thcenturyMexicanart,itisundoubtedlybecauseofherpersonalityandtheoriginalityofabodyofworks.Herworkis,aboveall,theexpressionofalife—atragicandstormylife,onethatchallengedallconventions.

Themerementionofhernameexcitesenthusiasmandadmiration,butherworkisrarelyexhibited,andhasnotbeenshowninFranceforfifteenyears.TheselectiontogoonshowattheMuséedel'Orangerieincludesmajorworksbytheartist,withmasterpiecesfromtheMuseoDoloresOlmedo.

ThelifeandworkofFridaKahlocannotbeseparatedfromthoseofhercompanionDiegoRivera（1886～1957）.Togethertheybecamefiguresoflegend（传奇）,andbothhaveaplaceinthepantheonof20thcenturyMexicanartists.Famousforhislargewallpaintings,Rivera'seaselpaintings,drawingsandprints,whichformalargepartofhisartisticproduction,arelesswellknowntothepublicinEurope.TheexhibitionaimstotracehisartisticcareerfromtheearlyCubistimages,revealinghislinkswiththeParisartistswhoseworksareakeyelementintheOrangeriecollections,tothepaintingsthatestablishedhimasthefounderofthe20thcenturyschoolofMexicanart.HistravelsthroughoutEuropeinfluencedhisvisionandhisskill