读写英语UNIT1答案Word格式文档下载.docx
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7.T;
8.F
II.
1.resultinginsomeone'
sdeath
2.sohandsomethattheyattracteverybody
3.veryimportant
4.adjustedinsize
5.anexclamationofsurprise;
howterrible
6.topull
7.helpfulpiecesofadvice
8.touse
9.veryslightly
10.notdeep;
superficial
ReadingSelectionTwo
I.
CommunicationPatternsofMenandWomen
Men
Women
Talklessathome
Talkmoreinthefamily
Bondsbetweenmenarebasedondoingthingstogether
Intimacyisthefabricofrelationshipandtalkisthethreadfromwhichitiswoven
Whentalking,mensitatanglestoeachotherandlookelsewhereintheroom,periodicallyglancingateachother
Whentalking,womenfaceeachotherdirectly
Tendtojumpfromtopictotopic
Focusononetopic
Mendonotwanttobepushedaround
Theirgreatestfearisbeingpushedaway
II.DBBABC
III.BCACDADB
VocabularyPractice
communicationpatternsclosenessmaintaininteractiveindependenceconversationrelationshipsstatusmisunderstanding
II.p20MakeSentences
Foryourreferenceonly
1.
Thosedisabledpeopleareparticularlysensitiveabouttheaddresshegavethem.
2.
Thereisawidespreadreportabouttheexpectationsofsuccessfromthepublic.
3.
Theissuediscussedatthemeetingwillinfluencetheirsocialstatus.
4.
Thesocialstructureofpeerinteractionsinfluencesthedevelopmentofbothgenders.
5.
Sheexpectsherhusbandtobeanimprovedversionofabestfriendandthisexpectationbecomesevenmoreintensethesedays.
III.
1.improvementcomesnaturally
2.habitualwayofbehavior
3.attunedtoeachother
4.eyesanchoredoneachother’sface
5.jumpfromtopictotopic
6.extendafewturns
VocabularyExpansion
II.
1.-d,2-c,3-a,4-b,5-j,6-f,7-i,8-e,9-g,10-h
GuidedWritingandTranslation
I.1.Anexpositorydescription
2.Fromthegeneraltotheparticular
Fromtheexteriortointerior
Fromthemoststrikingtothelessnoticeable
Fromthecentertotheleftandthentotheright
II.1.Feelings:
securedependence,abruptend,worldofstrangers…
2.Details:
stuffedanimals,stereos,etc.,partinghugsandkisses…
Translation
Manyayoungpersontellsmehewantstobeawriter.Ialwaysencouragesuchpeople,butIalsoexplainthatthere'
sabigdifferencebetween"
beingawriter"
andwriting.Inmostcases,theseindividualsaredreamingofwealthandfame,notthelonghoursaloneatatypewriter."
You'
vegottowanttowrite,"
Isaytothem,"
notwanttobeawriter."
Therealityisthatwritingisalonely,privateandpoor-payingaffair.Foreverywriterkissedbyfortunetherearethousandsmorewhoselongingisneverrewarded.
PartD:
LiteraryAppreciation
EmilyDickinson:
TheSoulSelectsHerOwnSociety
Foryourreferenceonly
1.Contrastingimages:
"
theChariots"
"
anEmperor"
vs."
herlowGate"
herMat"
Thesecontrastingimagesillustratethegreatdifferenceofthesocialstatusbetweenthepoetherselfandthoseintheoutsideworld,andmeanwhileindicatethepoet′sdisregardofsocialcourtesyandroutineobligation.
＂anamplenation＂vs.＂One＂
Thispairofcontrastingimagespresentsalonelyyetself-sufficienthumansoul.
2.Yes.Itisconveyedespeciallyfromthewordsthepoetchoseinlines3-4andlines9-12.
3.Thepoetmayusethe＂divineMajority＂toclaimherequalitywiththosemostpowerfulintheouterworld--theymaybeemperors,butsheis"
divineMajority,"
andatthesametimesheassertsherdifferencefromthem.
4.Becauseshehasalreadyselected＂herownSociety＂,whichisthe＂One＂shechose＂fromanamplenation＂.
So,＂nomore＂herestandsforthosefromtheoutsideworld,＂anamplenation＂.
5.Yes.Thepoemchallengesourideasaboutwhatconstitutesasocialgroup.Consequently,theenclosedspaceofthesoul'
shouseismorethanadequateforaqueenlylife,andambassadorsoftheexternalworld'
sglories,evenemperors,caneasilybescorned.
6.Itrepresentsherdwellingasnotagrandpalacebutratherasimplehouse.
7.Yes.
No.The＂amplenation＂istheoutsideworldwhilethe＂divinemajority＂isherinnerworld.
8.＂Valves＂and＂Stone＂.
9.Valvespermittheflowofwhatevertheyregulateinonedirectiononly:
here,fromoutsidetoinside.Eitherofthehalvesofadoubledoororanyoftheleavesofafoldingdoorarevalves.Valvesseenasdoorsreinforcethepoem'
shouseimagery,whiletheirassociationwithstonemakesthewallsseparatingsoulfromworldsosolidastobe,perhaps,prison-like.
Prison-likebecausetheyallownoescapefromthekindsofconflict,thekindsofterror,even,thatmustoccurwithin.
ABird
1）
Personification."
Bit"
and"
ate"
arethewordswhichareemployedtosignifythedeviceasbirdseateverythingraw.
2）
Weseeverbs"
bit"
inthefirststanzaand"
drank"
hopped"
inthesecondstanza.Thesewordsdescribethebird'
squickandirregularmovementontheground.
3）
Dickinsonusedbothsimileandmetaphortodepicttherapidmovementofthebird'
seye.e.g."
rapideyeslookedlikefrightenedbeads"
;
"
Hestirredhisvelvethead"
.
4）
No.Shefailedandthefrightenedbirdflewoff.
5）
Yes.Thereseemsashiftinthespeaker'
stonefromamusementtoawewiththeshiftinperspectiveinresponsetothebird'
sflight.Thebird'
sflightintotheairiscomparedtooarsdividingthesilverwater.
6）
Dickinsonemployedsimplerhymeschemestoproducevividimage.Theseveral"
o"
sounds（oarsandocean）and"
s"
sounds（silver,seamandswim）inthedescriptionofthebird'
sflyingawaycontributetotheimageofflight.Theblendingofsoundslike"
leap"
plashless"
helpsconveythebird'
ssmoothgraceintheair,likeafeatheredoar.
7）
Yes.Thesubjectmatterisquiteordinaryandconventional.It'
sbasedonasingleimageofabird.However,Dickinson'
streatmentisinnovative.Sheofferedherobservationviaoneimageandconveyedtousherpersonalfeelingandthought.
ReadingSelectionOne:
TheUglyTruthaboutBeauty
ByDaveBarry
Ifyou'
reaman,atsomepointawomanwillaskyouhowshelooks.T
"
HowdoIlook?
she'
llask.T
Youmustbecarefulhowyouanswerthisquestion.Thebesttechniqueistoformanhonestyetsensitiveopinion,thencollapseonthefloorwithsomekindoffatalseizure.*Trustme,thisistheeasiestwayout.Becauseyouwillnevercomeupwiththerightanswer.T
Theproblemisthatwomengenerallydonotthinkoftheirlooksinthesamewaythatmendo.Mostmenformanopinionofhowtheylookinseventhgrade,andtheysticktoitfortherestoftheirlives.Somemenformtheopinionthatareirresistiblyhandsomeandtheydonotchangethisopinionevenwhentheirnosesbloattothesizeofeggplantsandtheireyebrowsgrowtogethertoformwhatappearstobeagiantforehead-dwellingtropicalcaterpillar.*T
Mostmen,Ibelieve,thinkofthemselvesasaverage-looking.Menwillthinkthiseveniftheirfacescauseheartfailureincattleatarangeof300yards.*Beingaveragedoesnotbotherthem;
averageisfine,formen.Thisiswhymenneveraskanybodyhowtheylook.Theirprimaryformofbeautycareistoshavethemselves,whichisessentiallythesameformofbeautycarethattheygivetotheirlawns.If,attheendofhisfour-
minutedailybeautyregimen,amanhasmanagedtowipemostoftheshavingcreamoutofhishairandisnotbleedingtoobadly,hefeelsthathehasdoneallhecan,sohestopsthinkingabouthisappearanceanddevoteshismindtomorecriticalissues,suchastheSuperBowl.*T
Womendonotlookatthemselvesthisway.IfIhadtoexpress,inthreewords,whatIbelievemostwomenthinkabouttheirappearance,thosewordswouldbe:
notgoodenough."
Nomatterhowattractiveawomanmayappeartobetoothers,whenshelooksatherselfinthemirror,shethinks:
woof.Shethinksthatatanymomentamunicipalanimal-controlofficerisgoingtothrowanetoverherandhaulherofftotheshelter.*T
Whydowomenhavesuchlowself-esteem?
Therearemanycomplexpsychologicalandsocietalreasons,bywhichImeanBarbie.Girlsgrowupplayingwithadollproportionedsuchthat,ifitwereahuman,itwouldbesevenfeettallandweigh81pounds,ofwhich53poundswouldbebosoms.Thisisadifficultappearancestandardtoliveupto,*especiallywhenyoucontrastitwiththestandardsetforlittleboysbytheirdolls…excuseme,bytheiractionfigures.Mostoftheactionfiguresthatmysonplayedwithwhenhewaslittlewerehideous-looking.Forexample,hewasveryfondofanactionfigure（partoftheHe-Manseries）called"
Buzz-Off,"
whowasparthuman,partflyinginsect.Buzz-Offwasnotalooker.Buthewasextremelyself-confident.YoucouldnotimagineBuzz-Offsayingtotheotheractionfigures:
Doyouthinkthesewingsmakemyhipslookbig?
T
ButwomengrowupthinkingtheyneedtolooklikeBarbie,whichformostwomenisimpossible,althoughthereisamultibillion-dollarbeautyindustrydevotedtoconvincingwomenthattheymusttry.Sorry,yourbrowserdoesn'
tsupportJava（tm）.IoncesawanOprahshowwhereinsupermodelCindyCrawforddispensedmakeuptipstothestudioaudience.Cindyhadallthesemiddle-agedwomenapplyingbeautyproductstotheirfaces;
*shestressedhowimportantitwastoapplytheminacertainway,usingthetipsoftheirfingers.Allthewomendutifullydidthis,eventhoughitwasobvioustoanysaneobserverthat,nomatterhowcarefullytheyappliedtheseproducts,theywouldneverlookremotelylikeCindyCrawford,w
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