职称英语综合A类真题.docx
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职称英语综合A类真题
2014年度全国职称英语等级考试综合类（A级）真题试题及答案
第1部分：
词汇选项（第1—15题，每题1分，共15分）
下面每个句子中均有1个词或短语划有底横线，请为每处划线部分确定1个意义最为接近的选项。
1. There was an inclination to treat geography as a less important subject.
A. point B. tendency C. result d. finding
2. New secretaries came and went with monotonous regularity.
a. amazing b. depressing c. predictable d. dull
3. The committee was asked to render a report on the housing situation.
a. furnish b. copy c. publish d. Summarize
4. The group does not advocate the use of violence.
a. limit b. regulate c. oppose d. support
5. The original experiment cannot be exactly duplicate.
a. reproduced b. invented c. designed d. reported
6. The department deferred the decision for six months.
a. put off b. arrived at c. abided by d. protested against
7. The symptoms of the disease manifested themselves ten days later.
a. eased b. appeared c. improved d. relieved
8. The uniform makes the guards look absurd.
a. serious b. ridiculous c. beautiful d. impressive
9. Some of the larger birds can remain stationary in the air for several minutes.
a. silent b. motionless c. seated d. true
10. The country was torn apart by strife.
a. poverty b. war c. conflict d. economy
11. She felt that she had done her good deed for the day.
a. act b. homework c. justice d. model
12. A person’s wealth is often in inverse proportion to their happiness.
a. equal b. certain c. large d. opposite
13. His professional career spanned 16 days.
a. started b. changed c. moved d. lasted
14. His stomach felt hollow with fear.
a. sincere b. respectful c. terrible d. empty
15. This was disaster on a cosmic scale.
a. modest b. huge c. commercial d. national
第2部分：
阅读判断（第16—22题，每题1分，共7分）
下面的短文后列出了7个句子，请根据短文的内容对每个句子做出判断：
如果该句提供的是正确信息，请选择A；如果该句提供的是错误信息，请选择B；如果该句的信息文中没有提及，请选择C.
Wanna buy a body?
" That was the opening line of more than a few phone calls I got from self-employed photographers when I was a photo editor at U.S. News. Like many in the mainstream press, I wanted to separate the world of photographers into "them", who trade in pictures of bodies or run after famous people like Princess Diana, and "us", the serious news people. But after 16 years in that role, I came to wonder whether the two worlds were easily distinguishable.
Working in the reputable world of journalism, I told photographers to cover other people's difficult life situations. I justified marching into moments of sadness， under the appearance of the reader's right to know. I worked with professionals talking their way into situations or shooting from behind police lines. And I wasn't alone.
In any American town, after a car crash or some other horrible incident when ordinary people are hurt or killed, you rarely see photographers pushing past rescue workers to take photos of the blood and injuries. But you are likely to see local newspaper and television photographers on the scene –and fast„
How can we justify doing this?
Journalists are taught to separate, doing the job from worrying about the consequences of publishing what they record. Repeatedly, they are reminded of a news-business saying:
Leave your conscience in the office, A victim may lie bleeding, unconscious, or dead. Your job is to record the image . You're a photographer, not an emergency medical worker. You put away your feelings and document the scene.
But catastrophic events often bring out the worst in photographers and photo editors. In the first minutes and hours after a disaster occurs, photo agencies buy pictures. They rush to obtain the rights to be the only one to own these shocking images and death isusuallythesubject.Often,anagencybuysapicturefromalocalnewspaperoranamateurphotographerandputsitupforbidbymajormagazines.Themostsought-afterspecialpicturescommandtensofthousandsofdollarsthroughbiddingcontests.
Iworkedonallthosestoriesandmanylikethem.Whentheyhappen,youmovequickly:
buying,dealing,tryingtobeattheagenciestothepictures.
Now,manypeoplebelievejournalistsarethehypocrites（伪君子）whoneedtobebroughtdown,andit'sourpicturesthatmostangerothers.Readersmaynotbelieve,aswedo,thatthereisadistinctionbetweenclear-minded"us"andmean-spirited"them".Intoomanycases,byourchoicesofimagesaswellashowwegetthem,weproveourreadersright.
16.Thewriternevergotanofferforaphotographofadeadperson.
A.RightB.WrongC.Notmentioned
17.Thewriterwasaphotographersixteenyearsago.
A.RightB.WrongC.Notmentioned
18.Thewriterbelievesthatshootingpeople’snightmaresisjustifiable.
A.RightB.WrongC.Notmentioned
19.Newsphotographersareusuallyaproblemforsecureworkersatanaccident.
A.RightB.WrongC.Notmentioned
20.Journalistsaren’tsupposedtothinkaboutwhethertheyaredoingtherightthing.
A.RightB.WrongC.Notmentioned
21.Editorssometimeshavetopayalotofmoneyforexclusivepictures.
A.RightB.WrongC.Notmentioned
22.ManypeoplesaythattheyareannoyedbytheUSNewspictures.
A.RightB.WrongC.Notmentioned
第3部分：
概括大意与完成句子（第23～30题，每题1分，共8分）下面的短文后有2项测试任务：
（1）第23～26题要求从所给的6个选项中为第2~5段每段选择1个最佳标题；
（2）第27~30题要求从所给的6个选项中为每个句子确定一个最佳选项。
TheStoryteller
1.StevenSpielberghasalwayshadonegoal:
totellasmanygreatstoriestoasmanypeopleaswilllisten.Andthat’swhathehasalwaysbeenabout.Thesonofacomputer scientist and apianist, Spielberg spent his early childhood in New Jersey and, later, Arizona. From the very beginning, his fertile imagination filled his young mind with images that would later inspire his filmmaking.
2. Even decades later, Spielberg says he has clear memories of his earliest years, which are the origins of some of his biggest hits. He believes that E.T. is the result of the difficult years leadingupto his parent’s 1966 divorce,It is really about a youngboy who was insearch ofsome
stability in hislife.”“He was scared of just about everything,” recalls his mother, Leah Adler.
“When trees brushed against the house, he would head into my bed. And that’s just the kind of scary stuff he would put in films like Poltergeist.”
3.Spielberg was 11 when he first got his hands on his dad’s movie camera and began shooting short flicks about flying saucers and World War Ⅱ battles. Spielberg’s talent for scary storytelling enabled him to make friends. On Boy Scout camping trips, when night fell, Spielberg became the center of attention. “Steven would start telling his ghost stories,” says Richard Y. Hoffman Jr., leader of Troop 294, “and everyone would suddenly get quiet so that they could all hear it.”
4. Spielberg moved to California with his father and went to high school there, but his grades were so bad that he barely graduated. Both UCLA and USC film schools rejected him, so he entered California State University at Long Beach because it was close to Hollywood. Spielberg was determined to make movies, and he managed to get an unpaid, non-credit internship（实习）in Hollywood. Soon he was given a contract, and he dropped out of college. He never looked back
5. Now, many years later, Spielberg is still telling stories with as much passion as the kid in the tent. Ask him where he gets his ideas, Spielberg shrugs. “The process for me is mostly intuitive ,” he says. “There are films that I feel I need to make, for a variety of reasons, for personal reasons, for reasons that I want to have fun, that the subject matter is cool, that I think my kids will like it. And sometimes I just think that it will make a lot of money, like the sequelto Jurassic Park.”
23. Paragraph 1______
24. Paragraph 2______
25. Paragraph 3______
26. Paragraph 4______
A. Inspirations for his movies
B. The trouble of making movies
C. A funny man
D. Getting into the movie business
E. Telling stories to make friends
F. An aim of life
27. Some of Spielberg’ most successful movies came from _______
28. When Spielberg was a boy，he used to be scared of _________
29. Spielberg is very good at _________
30. Spielberg says he makes movies for _________
A. almost everything
B. telling scary stories
C. a number of reasons
D. making children laugh
E. his childhood memories
F. a lot of money
第4部分：
阅读理解（第31～45题，每题3分，共45分）
下面有3篇短文，每篇短文后有5道题。
请根据短文回答其后面的问题，为每题确定一个最佳答案。
第一篇 The National Trust
The National Trust in Britain plays an increasingly important part in the preservation for public enjoyment of the best that is left unspoiled of the British countryside. Although the Trust has received practical and moral support from the Government, it is not a rich Government department. It is a voluntary association of people who care for the unspoiled countryside and historic buildings of Britain. It is a charity which depends for its existence on voluntary support from members of the public'.Its primary duty is to protect places of great natural beauty and places of historical interest.
The attention of the public was first drawn to the dangers threatening the great old houses and castles of Britain by the death of Lord Lothian, who left his great seventeenth-century house to the Trust together with the 4500-acre park and estate surrounding it. This gift attracted wide publicity and started the Trust's "Country House Scheme”. Under this scheme, with the help of the Government and the general public, the Trust has been able to save and make accessible to the public about one hundred and fifty of these old houses2. Last year about one and three quarters of a million people paid
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