新视野大学英语第二版第四册读写教程课文原文.doc

新视野大学英语第二版第四册读写教程课文原文.doc

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Unit1

Para1Anartistwhoseeksfameislikeadogchasinghisowntailwho,whenhecapturesit,doesnotknowwhatelsetodobuttocontinuechasingit.Thecrueltyofsuccessisthatitoftenleadsthosewhoseeksuchsuccesstoparticipateintheirowndestruction.

Para2"Don'tquityourdayjob!

"isadvicefrequentlygivenbyunderstandablypessimisticfamilymembersandfriendstoabuddingartistwhoistryinghardtosucceed.Theconquestoffameisdifficultatbest,andmanyendupemotionallyifnotfinanciallybankrupt.Still,impuremotivessuchasthedesireforworshippingfansandpraisefrompeersmayspurtheartiston.Thelureofdrowninginfame'simperialgloryisnoteasilyresisted.

Para3Thosewhogainfamemostoftengainitasaresultofexploitingtheirtalentforsinging,dancing,painting,orwriting,etc.Theydevelopastylethatagentsmarketaggressivelytohastenpopularity,andtheirrideontheexpresselevatortothetopisablur.Mostwouldbehard-pressedtotellyouhowtheyevengotthere.Artistscannotremainidle,though.Whentheperformer,painterorwriterbecomesbored,theirworkbeginstoshowalackofcontinuityinitsappealanditbecomesdifficulttosustaintheattentionofthepublic.Aftertheirenthusiasmhasdissolved,thepublicsimplymovesontothenextflavorofthemonth.Artistswhodoattempttoremaincurrentbymakingevenminutechangestotheirstyleofwriting,dancingorsinging,runasignificantriskoflosingtheaudience'sfavor.Thepublicsimplydiscountsstylesotherthanthoseforwhichtheartisthasbecomefamous.

Para4Famousauthors'stylesaTennesseeWilliamsplayoraplotbyErnestHemingwayorapoembyRobertFrostorT.S.Eliotareeasilyrecognizable.ThesameistrueofpainterslikeMonet,Renoir,orDaliandmoviemakerslikeHitchcock,Fellini,Spielberg,ChenKaigeorZhangYimou.

Theirdistinctstylesmarkedasignificantchangeinformfromothersandgainedthemfameandfortune.However,theypaidforitbygivingupthefreedomtoexpressthemselveswithotherstylesorforms.

Para5Fame'sspotlightcanbehotterthanatropicaljungle－afraudisquicklyexposed,andthepressureofsomuchattentionistoomuchformosttoendure.Ittakesyououtofyourself:

Youmustbewhatthepublicthinksyouare,notwhatyoureallyareorcouldbe.Theperformer,likethepolitician,mustoftenpleasehisorheraudiencesbysayingthingsheorshedoesnotmeanorfullybelieve.

Para6Onedropoffamewilllikelycontaminatetheentirewellofaman'ssoul,andsoanartistwhoremainstruetohimselforherselfisparticularlyamazing.Youwouldbehard-pressedtounderlinemanynamesofthosewhohavenotcompromisedandstillsucceededinthefamegame.Anexample,thefamousIrishwriterOscarWilde,knownforhisuncompromisingbehavior,bothsocialandsexual,towhichthepublicobjected,paidheavilyforremainingtruetohimself.ThemotherofayoungmanOscarwasintimatewithaccusedhimatabanquetinfrontofhisfriendsandfansofsexuallyinfluencingherson.Extremelyangeredbyherremarks,hesuedtheyoungman'smother,assertingthatshehaddamagedhis"good"name.Heshouldhavehiredabetterattorney,though.ThejudgedidnotsecondWilde'scalltohavethewomanpayfordamaginghisname,andinsteadfinedWilde.Heendedupinjailafterrefusingtopay,andevenworse,waspermanentlyexpelledfromthewidercircleofpublicfavor.Whenthingswereattheirworst,hefoundthatnoonewaswillingtoriskhisorhernameinhisdefense.Hispriceforremainingtruetohimselfwastobeleftalonewhenheneededhisfansthemost.

Para7Curiouslyenough,itisthosewhofailthatreapthegreatestreward:

freedom!

Theyenjoythefreedomtoexpressthemselvesinuniqueandoriginalwayswithoutfearoflosingthesupportoffans.Failedartistsmayfindcomfortinknowingthatmanygreatartistsneverfoundfameuntilwellaftertheyhadpassedawayorinknowingthattheydidnotsellout.Theymayjustifytheirfailurebyconvincingthemselvestheirgeniusistoosophisticatedforcontemporaryaudiences.

Para8Single-mindedartistswhocontinuetheirquestforfameevenafterfailuremightalsoliketoknowthatfailurehasmotivatedsomefamouspeopletoworkevenhardertosucceed.ThomasWolfe,theAmericannovelist,hadhisfirstnovelLookHomeward,Angelrejected39timesbeforeitwasfinallypublished.Beethovenovercamehisfather,whodidnotbelievethathehadanypotentialasamusician,tobecomethegreatestmusiciantheworld.AndPestalozzi,thefamousSwisseducatorinthe19thcentury,failedateveryjobheeverhaduntilhecameupontheideaofteachingchildrenanddevelopingthefundamentaltheoriestoproduceanewformofeducation.ThomasEdisonwasthrownoutofschoolinthefourthgrade,becauseheseemedtohisteachertobequitedull.Unfortunatelyformostpeople,however,failureistheendoftheirstruggle,notthebeginning.

Para9Isaytothosewhodesperatelyseekfameandfortune:

goodluck.Butalas,youmayfindthatitwasnotwhatyouwanted.Thedogwhocatcheshistaildiscoversthatitisonlyatail.Thepersonwhoachievessuccessoftendiscoversthatitdoesmoreharmthangood.Soinsteadoftryingsohardtoachievesuccess,trytobehappywithwhoyouareandwhatyoudo.Trytodoworkthatyoucanbeproudof.Maybeyouwon'tbefamousinyourownlifetime,butyoumaycreatebetterart.

Unit2

Para1HewasborninapoorareaofSouthLondon.Heworehismother'soldredstockingscutdownforanklesocks.Hismotherwastemporarilydeclaredmad.DickensmighthavecreatedCharlieChaplin'schildhood.ButonlyCharlieChaplincouldhavecreatedthegreatcomiccharacterof"theTramp",thelittlemaninragswhogavehiscreatorpermanentfame.

Para2Othercountries—France,Italy,Spain,evenJapan—haveprovidedmoreapplause（andprofit）whereChaplinisconcernedthanthelandofhisbirth.ChaplinquitBritainforgoodin1913whenhejourneyedtoAmericawithagroupofperformerstodohiscomedyactonthestage,wheretalentscoutsrecruitedhimtoworkforMackSennett,thekingofHollywoodcomedyfilms.

Para3Sadtosay,manyEnglishpeopleinthe1920sand1930sthoughtChaplin'sTrampabit,well,"crude".Certainlymiddle-classaudiencesdid;theworking-classaudiencesweremorelikelytoclapforacharacterwhorevoltedagainstauthority,usinghiswickedlittlecanetotripitup,oraimingtheheelofhisbootforawell-placedkickatitsbroadrear.Allthesame,Chaplin'scomicbeggardidn'tseemallthatEnglishorevenworking-class.Englishtrampsdidn'tsporttinymoustaches,hugepantsortailcoats:

EuropeanleadersandItalianwaitersworethingslikethat.Thenagain,theTramp'squickeyeforaprettygirlhadacoarsewayaboutitthatwasconsidered,well,notquitenicebyEnglishaudiences—that'showforeignersbehaved,wasn'tit?

Butforoverhalfofhisscreencareer,ChaplinhadnoscreenvoicetoconfirmhisBritishnationality.

Para4Indeed,itwasaheadacheforChaplinwhenhecouldnolongerresistthetalkingmoviesandhadtofind"therightvoice"forhisTramp.Hepostponedthatdayaslongaspossible:

InModernTimesin1936,thefirstfilminwhichhewasheardasasingingwaiter,hemadeupanonsenselanguagewhichsoundedlikenoknownnationality.HelatersaidheimaginedtheTramptobeacollege-educatedgentlemanwho'dcomedownintheworld.Butifhe'dbeenabletospeakwithaneducatedaccentinthoseearlyshortcomedies,it'sdoubtfulifhewouldhaveachievedworldfame.AndtheEnglishwouldhavebeensuretofindit"odd".NoonewascertainwhetherChaplindiditonpurposebutthishelpedtobringabouthishugesuccess.

Para5Hewasanimmenselytalentedman,determinedtoadegreeunusualevenintheranksofHollywoodstars.Hishugefamegavehimthefreedom—and,moreimportantly,themoney—tobehisownmaster.Healreadyhadtheurgetoexploreandextendatalenthediscoveredinhimselfashewentalong."Itcan'tbeme.Isthatpossible?

Howextraordinary,"ishowhegreetedthefirstsightofhimselfastheTramponthescreen.

Para6Butthatshockrousedhisimagination.Chaplindidn'thavehisjokeswrittenintoascriptinadvance;hewasthekindofcomicwhousedhisphysicalsensestoinventhisartashewentalong.LifelessobjectsespeciallyhelpedChaplinmake"contact"withhimselfasanartist.Heturnedthemintootherkindsofobjects.Thus,abrokenalarmclockinthemovieThePawnbrokerbecamea"sick"patientundergoingsurgery;bootswereboiledinhisfilmTheGoldRushandtheirsoleseatenwithsaltandpepperlikeprimecutsoffish（thenailsbeingremovedlikefishbones）.Thisphysicaltransformation,plustheskillwithwhichheexecuteditagainandagain,issurelythesecretofChaplin'sgreatcomedy.

Para7Healsohadadeepneedtobeloved—andacorrespondingfearofbeingbetrayed.

Thetwowerehardtocombineandsometimes—asinhisearlymarriages—thecollisionbetweenthemresultedindisaster.

Yeteventhispainfully-boughtself-knowledgefounditswayintohiscomiccreations.

TheTrampneverloseshisfaithintheflowergirlwho'llbewaitingtowalkintothesunsetwithhim;whiletheothersideofChaplinmakesMonsieurVerdoux,theFrenchwifekiller,intoasymbolofhatredforwomen.

Para8It'sarelieftoknowthatlifeeventuallygaveCharlieChaplinthestabilityandhappinessithadearlierdeniedhim.InOonaO'NeillChaplin,hefoundapartnerwhosestabilityandaffectionspannedthe37yearsagedifferencebetweenthem,whichhadseemedsothreatening,thatwhentheofficialwhowasmarryingthemin1942turnedtothebeautifulgirlof17who'