湖南省汝城二中高考英语一轮复习 阅读训练14.docx
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湖南省汝城二中高考英语一轮复习阅读训练14
湖南省汝城二中2014届高考英语一轮复习阅读训练(14)
A
WhenIwasgrowingupinAmerica,Iwasashamedofmymother’sChineseEnglish.BecauseofherEnglish,shewasoftentreatedunfairly.Peopleindepartmentstores,atbanks,andatrestaurantsdidnottakeherseriously,didnotgivehergoodservice,pretendednottounderstandher,orevenactedasiftheydidnothearher.
MymotherhaslongrealizedthelimitationsofherEnglishaswell.WhenIwasfifteen,sheusedtohavemecallpeopleonthephonetopretendIwasshe.Iwasforcedtoaskforinformationoreventoyellatpeoplewhohadbeenrudetoher.OnetimeIhadtocallherstockbroker.Isaidinanadolescentvoicethatwasnotveryconvincing,"ThisisMrs.Tan."
Andmymotherwasstandingbesideme,whisperingloudly,"Whyhedon’tsendmecheck,alreadytwoweeklate."
Andthen,inperfectEnglishIsaid,"I’mgettingratherconcerned.Youagreedtosendthechecktwoweeksago,butithasn’tarrived."
Thenshetalkedmoreloudly."Whathewants?
IcometoNewYorktellhiminfrontofhisboss."AndsoIturnedtothestockbrokeragain,"Ican’ttolerateanymoreexcuse.IfIdon’treceivethecheckimmediately,IamgoingtohavetospeaktoyourmanagerwhenIaminNewYorknextweek."
ThenextweekweendedupinNewYork.WhileIwassittingtherered-faced,mymother,therealMrs.Tan,wasshoutingtohisbossinherbrokenEnglish.
WhenIwasateenager,mymother’sbrokenEnglishembarrassedme.Butnow,Iseeitdifferently.Tome,mymother’sEnglishisperfectlyclear,perfectlynatural.Itismymothertongue.Herlanguage,asIhearit,isvivid,direct,andfullofobservationandwisdom.ItwasthelanguagethathelpedshapethewayIsawthings,expressedideas,andmadesenseoftheworld.
56.Whywastheauthor’smotherpoorlyserved?
A.ShewasunabletospeakgoodEnglish.B.Shewasoftenmisunderstood.
C.Shewasnotclearlyheard.D.Shewasnotverypolite.
57.FromPa
ragraph2,we
knowthat
theauthorwas.
A.goodatpretendingB.rudetothestockbroker
C.readytohelphermotherD.unwillingtophoneforhermother
58.Aftertheauthormadethephonecall,.
A.theyforgavethestockbrokerB.theyfailedtogetthecheck
C.theywenttoNewYorkimmediatelyD.theyspoketotheirbossatonce
59.WecaninferfromthepassagethatChineseEnglish.
A.isclearandnaturaltonon-nativespeakers
B.isvividanddirecttonon-nativespeakers
C.hasaverybadreputationinAmerica
D.maybringinconvenienceinAmerica
B
●DISPLAY
●OURJOURNEYS
●12April-29May2008
YoungpeopleexplorehowtheyhaveadaptedtolifeinOxford.
“WhenIfirstcamehere,”saysoneyoungAfricanwoman,“Ijustwantedtocryallthetime.AndnowIhavelearnedtolaughagain.”WorkingwithphotographerRoryCarnegieandwriterNikkivanderGaag,youngmen
andwomenexploretheirjourneyfromthetimetheyfirstarrivedinastrangeplacetowheretheyfindthemselvestoday.OrganizedbyTheSundayTimesOxfordLiteraryFestival(10-17April2008).SupportedbytheMaggieBlackTrustandOxfordCityCouncil.
●ACTIVlTlESFORCHlLDRENANDFAMILIES
●MODERNARTTROLLEYFREE
ArtactivitiesforchildreneveryweekendduringtheexhibitionintheEntranceSpacefrom2p.m.to4p.m.Justdropin.Childrenmustbeledbyanadult.
●WORKSHOPFOR8TO12YEAROLDS
Thursday7April,10:
30a.m.to1:
30p.m.
Lookingatthemesfromtheexhibitionandexploringpicturesbasedideasthroughgroupdiscussionandusingdigitalcameras.LedbyJudieWaldmann.
●BOOKLAUNCHFREE
TheDrawingBookbySarahSimbletisapracticalapproachtodrawingtheworldaroundyou.SarahSimblet,whoteachesattheRuskinSchoolofDrawingandFineArt,UniversityofOxford,will
bepresenttogiveashorttalkaboutthedevelopmentofherbook.Specialpriceof£18oncopiespurchasedintheevening.
Bookingrecommend
edon01865813802
●TEACHERS’EVENINGFREE
Thursday21April,5p.m.to7:
30p.m.
LecturebySusanBright,independentwriterandlecturer,at5:
30p.m.followedbyanopportunitytoviewtheexhibition.FREEEducationNoteswillbeprovidedforteachersattendingtheevening.
●WORKSHOPFORPRIMARYTEACHERS
Saturday7May,10:
30a.m.to1:
30p.m.
Workshopforprimaryteacherswhowouldliketodeveloptheirpracticalartskillaswellasgainanunderstandingofmodernartpractice.LedbyJudieWaldmann,artistandformerprimaryschoolteacher.
●TALKSANDWORKSHOPSFORSCHOOLGROUPS
Exhibitiontalksandartist-ledworkshopstocreateworkinresponsetotheexhibitionareavailableforpre-bookedschoolgroups.Suitableforprimaryandsecondaryschools,tocheckavailabilityanddiscussdetailscallSarahMossopon1865813816.
60.Ifyouareateacherandinterestedinart,youprobablywouldliketogoto________.
A.TEACHERS’EVENING
B.MODERNARTTROLLEY
C.WORKSHOPFORPRIMARYTEACHERS
D.TALKSANDWORKSHOPSFORSCHOOLGROUPS
61.Whatcanwelearnfromthepassage?
A.SusanBrightwillgiveashorttalkatthelaunchoftheDrawingBook.
B.RoryCarnegieandNikkiwillteachyoungpeoplehowtotakephotos.
C.TheworkshopledbyJudieisintendedforthesecondaryschoolstudents.
D.ThechildrenwhogototheModernArtTrolleymustbeledbyanadult.
62.Whichofthefollowingwouldbethebesttitleofthetext?
A.FREEJOURNEYSB.SPRINGEVENTS
C.WEEKENDACTIVITIESD.ACTIVITIESFORTEACHERS
63.Thepassagemakesyoubelievethat__________.
A.ifyouattend“BOOKLAUNCH”,youcangetthebookatalowprice.
B.schoolgroupscanattendtalksandworkshopsforthematanytime.
C.almostalltheyoungpeoplehavedifficultyinadaptingtolifeinOxford.
D.TEACHERS’EVENINGisonlyaccessibletoteachers.
C
Somedayastrangerwillreadyoure-mailwithoutyourpermissionorscanthewebsitesyou’vevisited.Orperhapssomeonewillcasuallyglancethroughyourcreditcardpurchasesorcellphonebillstofindoutyourshoppingpreferencesorcallinghabits.
Infact,it’
slikelysomeofthesethingshavealreadyhappenedtoyou.Whowouldwatchyouwithoutyourpermission?
Itmightbeaspouse,agirlfriend,amarketingcompany,aboss,acoporacriminal.Whoeveritis,theywillseeyouinawayyouneverintendedtobeseen—the21stcenturyequivalent(equal)ofbeingcaughtnaked.
Psychologiststellusboundariesarehealthy,thatit’simportanttorevealyourselftofriends,familyandloversinstages,atappropriatetimes.Butfewboundariesremain.Thedigitalbreadpiecesyouleaveeverywheremakeiteasyforstrangerstoreconstructwhoyouare,whereyouareandwhatyoulike.Insomecases,asimpleGooglesearchcanrevealwhatyouthink.Likeitornot,increasinglyweliveinaworldwhereyousimplycannotkeepasecret.
The key question is:
Does that matter?
For many Americans, the answer apparently is “no.”
Whenopinionpolls(民意测验)askAmericansaboutprivacy,mostsaytheyareconcernedaboutlosingit.Asurveyfoundanoverwhelming(verylarge)pessimismaboutprivacy,with60percentofrespondentssayingtheyfeeltheirprivacyis“slippingaway,andthatbothersme.”
Butpeoplesayonethinganddoanother.OnlyatinypartofAmericanschangeanybehaviorsinanefforttopreservetheirprivacy.Fewpeopleturndownadiscountattollbooths(收费站)toavoidusingtheEZ-Passsystemthatcantrackautomobilemovements.Andfewturndownsupermarketloyaltycards.PrivacyeconomistAlessanfroAcquistihasrunaseriesofteststhatrevealpeoplewillsurrenderpersonalinformationlikeSocialSecuritynumbersjusttogettheirhandsonapitiful50-cents-offcoupon(优惠券).
Butprivacydoesmatter—atleastsometimes.It’slikehealth:
whenyouhaveit,youdon’tnoticeit.Onlywhenit’sgonedoyouwishyou’ddonemoretoprotectit.
64.Whatwouldpsychologistsadviseontherelationshipsbetweenfriends?
A.Friendsshouldopentheirheartstoeachother.
B.Friendsshouldalwaysbefaithfultoeachother.
C.Thereshouldbeadistanceevenbetweenfriends.
D.Thereshouldbefewerdisputesbetweenfriends.
65.Whydoestheauthorsay“weliveinaworldwhereyousimplycannotkeepasecret”?
A.Modernsocietyhasfinallydevelopedintoanopensociety.
B.Peopleleavetracesaroundwhenusingmoderntechnology.
C.Therearealwayspeoplewhoarecuriousaboutothers’affairs.
D.Manysearchenginesprofitbyrevealingpeople’sidentities.
66.WhatdomostAmericansdoaboutprivacyprotection?
A.Theychangebehaviorsthatmightdisclosetheiridentity.
B.Theyusevariousloyaltycardsforbusinessdeals.
C.Theyrelymoreandmoreonelectronicdevices.
D.Theytalkalotbuthardlydoanythingaboutit.
67.Accordingtothepassage,privacyislikehealthbecause________.
A.peoplewillmakeeveryefforttokeepit
B.itsimportanceisrarelyunderstood
C.itissomethingthatcaneasilybelost
D.peopledon’tcherishituntiltheyloseit
D
TherearemanytheoriesaboutthebeginningofdramainancientGreece.Theonemostwidelyacceptedtodayisbasedontheassumptionthatdramacamefromritual(宗教仪式).Theargumentforthisviewgoesasfollows.Inthebeginning,humanbeingsviewedthenaturalforcesoftheworld,eventheseasonalchanges,asunpredictable,andtheysoughtthroughvariousmeans,tocontroltheseunknownandfearedpowers.Thosemeasureswhichappearedtobringthedesiredresultswerethenkeptandrepeateduntiltheyhardenedintofixedrituals.Eventuallystoriesarosewhichexplainedthemysteriesoftherites.Astimepassedsomeritualswereabandoned,butthestories,latercalledmyths,continuedtoexistandprovidedmaterialforartanddrama.
Thosewhobelievethatdramacamefromritualalsoargu