旗袍介绍英文ppt.ppt

旗袍介绍英文ppt.ppt

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中国传统文化旗袍,TheChinesetraditionalcultureCheongsam,contents,ThedefinitionofcheongsamTheevolutionofcheongsamThestructureofcheongsamRepresentativefiguresThefactionsofcheongsamonPicturesappreciating,Thedefinition（定义）,TheQiPaoalsoknownasthecheongsamormandaringown（长袍）；Itisabody-hugging（紧身的）one-piece（连衣裙）Chinesedress,WhycallQipaochinadress,Qipao,whichisfamouswithitsharmonyandunity,isknownastherepresentativeoftheChinesedressculture.Itshowstheeleganttemperament（优雅气质）ofChinesewomen,demonstratestheculture（文化）andvirtues（美德）ofournation.,1920s,1930s,1940s,AftertheOpiumWar（鸦片战争）,thewideandloosebodyhadgraduallybecomeshortandnarrow.In1919,theOrdinance（法令）aboutgarmentswasannouncedbytheNationalGovernmentandcheongsamwasestablishedtobethenationalgarments.,IntheearlyRepublicofChina（中华民国），thecheongsambegantobepopularagain.Thebodybecameshortened.Thewaist（腰部）wasnarrowed.,1930sand1940ssawthecheongsaminitspeakfashion（时尚顶峰）.AffectedbythestylesoftheEurope,astepforwardwasmadeinexposingthefemalefigure（女性曲线）,IntheEastAsia,thefoundingofthePeoplesRepublicofChinamarkstheendoftheoldlife.Thecheongsam,whichhasbeencherishedbypeopleforalongtimewasnotpracticalandwassetaside（放置一旁）.Butin1950sand1960s,cheongsamsbegantoshowupagain（再次出现）inthepeopleslives.,Frog盘扣,Thestructure,立领,襟,衩,Mandarincollar立领,Lapel/frontofagarment襟,Openings衩,embroidery刺绣,Thestyle（样式）,Chi-paohasmanystyles,andthechangeismainlybasedonsleeves,Jin,collar,openings,andthelengthofCheongsam.Sleeves（袖子）:

widesleeves,narrowandlongsleeves,middlesleeves,shortsleevesorsleeveless.Jin（襟）:

roundJin,straightJin,slantingJin（斜襟）,doubleJin（双襟）,PipaJin（琵琶襟）,andsoon.Collar（领）:

highcollar,lowcollar，orcollarless.Openings（开衩）:

highopenings,lowopenings,noopening,longsleeves,shortsleeves,sleeveless.,Thebestcut（如意襟）Pipalapel（琵琶襟）,Surplice（斜襟）,Doublebreasted（双襟）,Choker（高领）,Decolletage（低领）,Collarless（无领）,Highopening（高开衩）Lowopening（低开衩）,Thefactions（派别）,TheBeijingstyle,京派,Shanghaistyle,TheBeijingstyleappearsreservedandconcise京派风格显得矜持凝练；,京派,ShanghaistyleabsorbingtheWestArtsisup-to-date,flexibleandhasastrongbusinessatmosphere.海派风格吸收西艺为，标新且灵活多样，商业气息浓厚。

海派,Representativefigures,张爱玲EileenChang（1920-1995）Awell-knownwriter，beaddictedtocheongsam.Lifeisacolorfulgown,coveredwithlice.生命是一袭华美的袍子，上面爬满了虱子。

Sheownsthemostnumberofqipaoallovertheworld.,邓丽君,WherethereareChinesethereishervoice,shereallymadethebeautyofthecheongsam,cheongsamaccomplishedherlegend.有华人的地方就有邓丽君的歌声，她成全了旗袍的美丽，旗袍成就了她的传奇。

InthefilmIntheMoodforLove（似水年华），MaggieCheung（张曼玉）changemorethan23setsofqipao,afterthemovierelease,Itsetoffarushof“cheongsamhot（旗袍热）.,Cheongsamreflectstheelegantcharmoforientalwomen,Picturesappreciating,Expo（展览会）2010ShanghaiChina,Collar（立领）useevolutionofChinesecheongsam,boththemeaningandinterpretationofChinesecultureintotheinternationalfashiondesigntechniques.,CheongsamforMissManners,宝蓝,Mypersonalopinions,Ibelievethatthecheongsams,theChinesenationalgarments,willdevelopwellandstandinthepeakoftheworldclothing（屹立于世界服装的顶峰）inthefuture.ChineseChi-paoshouldntbeforgottenbycontemporarygirls（当代女孩）.,