整理英美文学选读期末练习题.docx

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整理英美文学选读期末练习题

（完整版）英美文学选读期末练习题

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（完整版）英美文学选读期末练习题

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《英美文学选读》期末考试练习

一、搭配题

二、判断题

1.（F）Hamlet,Othello，KingLear,andAntonyandCleopatraareShakespeare'sgreatesttragedies.

2.（T）TheElizabethanDramaistherealmainstreamoftheEnglishRenaissance.

3.（T）ParadiseLostisalongepicdividedinto12books。

4.（F）CaptainSingleton,MollFlanders，ColonelJack，andAJournalofthePlagueYeararethefirstliteraryworksdevotedtothestudyofproblemsofthelower-classpeople。

5.（T）JonathanSwiftdefinedagoodstyleas“properwordsinproperplaces.”

6.（T）HenryFieldinghasbeenregardedbysomeas“FatheroftheEnglishNovel.”

7.（F）WilliamBlake，WilliamWordsworth,andSamuelTaylorColeridgeareregardedasthe“LakePoets。

”

8.（T）TheBritishRomanticperiodisanageofprose。

9.（T）ThemajorthemeofJaneAusten'snovelsisloveandmarriage。

10.（T）TheVictoriaperiodhasbeengenerallyregardedasoneofthemostgloriousintheEnglishhistory.

11.（F）FarfromtheMaddingCrowdisThomasHardy’sfirstnovel。

12.（T）Modernismroseoutofskepticismanddisillusionofcapitalism。

13.（T）Themajorthemesofthemodernistliteraturearethedistorted，alienatedandillrelationshipsbetweenmanandnature，manandsociety，manandman,andmanandhimself。

14.（T）TheearlypoemsofPoundandEliotandYeats’smaturedpoetrymarkedriseof“modernpoetry.”

15.（T）Shaw’splayshaveonepassion,andoneonly,thatis,indignation.

16.（F）RomeoandJulietisoneofShakespeare'sfourgreatesttragedies.

17.（T）ThefirstperiodoftheEnglishRenaissancewasoneofimitationandassimilation.

18.（T）ParadiseLostisJohnMilton’smasterpiece。

19.（F）CaptainSingleton,MollFlanders,ColonelJack，andAJournalofthePlagueYeararethefirstliteraryworksdevotedtothestudyofproblemsofthelower—classpeople.

20.（T）InJonathanSwift’sopinion,humannatureisseriouslyandpermanentlyflawed.

21.（T）HenryFieldingwasthefirsttowritespecificallya“comicinprose.”

22.（F）WilliamBlake,WilliamWordsworth，andSamuelTaylorColeridgeareregardedasthe“LakePoets."

23.（F）TheBritishRomanticperiodisanageofpoeticdrama。

24.（T）Shelley'sgreatestachievementishisfour—actpoeticdrama,PrometheusUnbound.

25.（T）OscarWildeandWalterPaterareadvocatorsofthetheoryof“artforart’ssake.”

26.（F）FromUndertheGreenwoodTree，thetragicsensebecomesthekeynoteofThomasHardy'snovels.

27.（T）TheFrenchsymbolismheraldedmodernism.

28.（T）Themodernistwriterspaymoreattentiontothepsychictimethanthechronologicalone。

29.（T）KingsleyAmiswasthefirsttostarttheattackonmiddle-classprivilegesandpowerinhisnovelLuckyJim.

30.（T）TheWasteLandisapoemconcernedwiththespiritualbreakupofamoderncivilizationinwhichhumanlifehaslostitsmeaning,significanceandpurpose。

31.（F）Shakespeare’sgreatesttragedyisRomeoandJuliet。

32.（T）IntheearlystageoftheEnglishRenaissance,poetryandpoeticdramawerethemostoutstandingliteraryforms。

33.（T）SamsonAgonistesisthemostperfectexampleoftheversedramaaftertheGreekstyleinEnglish。

34.（F）CaptainSingleton，MollFlanders,ColonelJack,andAJournalofthePlagueYeararethefirstliteraryworksdevotedtothestudyofproblemsofthelower-classpeople。

35.（T）JonathanSwiftisamastersatirist.

36.（T）HenryFieldingwasthefirsttogivethemodernnovelitsstructureandstyle.

37.（F）WilliamBlake，WilliamWordsworth,andSamuelTaylorColeridgeareregardedasthe“LakePoets."

38.（F）NovelwasthemostpopularliteraryformintheBritishRomanticperiod。

39.（T）“ASong:

MenofEngland”waswrittenin1819,theyearofthePeterlooMassacre.

40.（T）CharlesDickensandtheBronteSistersarerepresentativesofcriticalrealism。

41.（F）ThomasHardybelongstooneoftheEnglishromanticpoets。

42.（T）Modernismtakestheirrationalphilosophyandthetheoryofpsycho-analysisasitstheoreticalbase.

43.（T）Themodernistwritersaremainlyconcernedwiththeinnerbeingofanindividual.

44.（T）JamesJoyceisthemostoutstandingstream—of—consciousnessnovelist.

45.（T）D.H。

Lawrencewasoneofthefirstnoveliststointroducethemesofpsychologyintohisworks.

三、名词解释

1.Antagonist:

Apersonorforceopposingtheprotagonistinanarrative;arivaloftheheroorheroine。

2.Allegory:

Ataleinverseorproseinwhichcharacters，actions,orsettingsrepresentabstractideasormoralqualities.Anallegoryisastorywithtwomeanings,aliteralmeaningandasymbolicmeaning.

3.Alliteration：

Therepetitionoftheinitialconsonantsoundsinpoetry.

4.Canto:

Asectionordivisionofalongpoem。

5.Characterization：

themeansbywhichawriterrevealsthatpersonality.

6.Comedy：

Ingeneral,aliteraryworkthatendshappilywithahealthy，amicablearmisticebetweentheprotagonistandsociety。

7.CriticalRealism：

Thecriticalrealismofthe19thcenturyflourishedinthefortiesandinthebeginningoffifties。

Therealistsfirstandforemostsetthemselvesthetaskofcriticizingcapitalistsocietyfromademocraticviewpointanddelineatedthecryingcontradictionsofbourgeoisreality.Buttheydidnotfindawaytoeradicatesocialevils。

8.Elegy:

Apoemofmourning，usuallyoverthedeathofanindividual。

Anelegyisatypeoflyricpoem，usuallyformalinlanguageandstructure，andsolemnorevenmelancholyintone。

9.Epic：

Alongnarrativepoemtellingaboutthedeedsofagreatheroandreflectingthevaluesofthesocietyfromwhichitoriginated。

Manyepicsweredrawnfromanoraltraditionandweretransmittedbysongandrecitationbeforetheywerewrittendown。

10.Flashback:

Asceneinashortstory,novel，play，ornarrativepoemthatinterruptstheactiontoshowaneventthathappenedearlier.

11.Imagery：

Wordsorphrasesthatcreatepictures,orimages,inthereader’smind.Imagescanappealtoothersensesaswell：

touch,taste,smell，andhearing。

12.Lyric：

Apoem，usuallyashortone,whichexpressesaspeaker'spersonalthoughtsorfeelings。

Theelegy,ode,andsonnetareallformsofthelyric.

13.Metaphor：

Afigureofspeechthatmakesacomparisonbetweentwothingswhicharebasicallydissimilar。

Unlikesimile,ametaphordoesnotuseaconnectivewordsuchaslike，as,orresemblesinmakingthecomparison.

14.Protagonist:

Thecentralcharacterofadrama,novel,shortstory，ornarrativepoem。

Theprotagonististhecharacteronwhomtheactioncentersandwithwhomthereadersympathizesmost。

Usuallytheprotagoniststrivesagainstanopposingforce，orantagonist,toaccomplishsomething。

15.Setting:

Thetimeandplaceinwhichtheeventsinashortstory，novel,playornarrativepoemoccur。

Settingcangiveusinformation,vitaltoplotandtheme.Often，settingandcharacterwillrevealeachother.

16.Simile:

Itreferstoafigureofspeechthatmakesacomparisonbetweentwothingsthroughtheuseofaspecificwordofcomparison,suchas“like,as，orresemble”。

Thecomparisonmustbebetweentwoessentiallyunlikethings.

17.Soliloquy:

Indrama,anextendedspeechdeliveredbyacharacteraloneonstage.Thecharacterrevealshisorherinnermostthoughtsandfeelingsdirectlytotheaudience,asifthinkingaloud.

18.Sonnet:

Afourteen-linelyricpoem，usuallywritteninrhymediambicpentameter。

Asonnetgenerallyexpressesasinglethemeoridea。

19.Tragedy:

Ingeneral,aliteraryworkinwhichtheprotagonistmeetsanunhappyordisastrousend。

Unlikecomedy,tragedydepictstheactionsofacentralcharacterwhoisusuallydignifiedorheroic.

四、简答题

1.WhatdotheWilliamShakespeare'stragedieshaveincommon?

Eachportrayssomenoblehero，whofacestheinjusticesofhumanlifeandiscaughtinadifficultsituationandwhosefateiscloselyconnectedwiththefateofthewholenation。

Eachherohashisweaknessismadeusedofthenature:

Hamletthemelancholicscholar—prince,facesthedilemmabetweenactionandmind；Othello`sinnerweaknessismadeuseofbytheoutsideevilforce;thekinglearwhoisunwillingtototallygiveuphispowermakeshimselfsufferfromtreacheryandinfidelity；andMacbeth`slustforpowerstirsuphisambitionsandleadshimtoincessantcrimes

Shakespearedramatizesthewholeworldaroundthehero.

2.“Neverdidsunmorebeautifullysteep

Inhisfirstsplendour,valley,rock,orhill；

Ne’ersawI，neverfelt,acalmsodeep！

Theriverglidethathisownsweetwill:

DearGod！

theveryhousesseemasleep;

Andallthatmightyheartislyingstill！

”

（fromWordsworth'ssonnetComposeduponWestminsterBridge）

Questions:

A.Whatdoesthissonnetdescribe?

AvividpictureofabeautifulmorninginLondon

B。

Whatdoestheword“mightyheart”referto?

London

B.ThesonnetfollowsstrictlytheItalianform.WhatisthefeatureoftheItalianformsonnet？

Thereisacleardivisionbetweentheoctaveandthesestet;therhymeschemeisabbaabba，cdcdcd.

3.“Whereforefeedandclotheandsave

 Fromthecradletothegrave

 Thoseungratefuldroneswhowould

 Drainyoursweat-nay，drinkyourblood？

”

Questions：

A。

Identifythepoetandthetitleofthepoemfromwhichthestanzaistaken.

PercyByssheShelley；