十二怒汉观后感英文.docx
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十二怒汉观后感英文
十二怒汉观后感英文
在《十二怒汉》里,由12普通民众组成的陪审团中,仅有一个8号的建筑师,凭借陪审团12位成员必须达成一致方可定罪原则,第一次投票便投了无罪一票,致使大部分陪审员只想走完程序给被告定罪的想法落空。
下面是英文的《十二怒汉》观后感,欢迎阅读。
十二怒汉观后感英文 Backtotheroom,slumpedinachair,allofasuddennofightingspirit.Turnoverthefilm,toavoidthedestructionofnegativeemotions.
Thisisaclassicoldpiececalled"TwelveAngryChinese".Thestoryisajuryoftwelvemembers,inasmallconferenceroomtodiscusswhetherajuvenilemurdererisguilty,theprocessofupsanddowns,theoutcomeofgreat.Itisaclassic,inmyviewisthat:
shootingthefilminthemoredistant,blackandwhite,butIverysmoothlyfinishedit;andafterreadingwithoutatiredfeeling,butakindofscatteredemotions,itisdifficulttoname.Wanttoknowmyonlytwolivewatch3Dblockbuster(PiratesoftheCaribbeanandPacificrimofthePacificOcean),arewatchingthesleepofthe4.Asablinddullviewingfans,meetthe"TwelveAngryHan"suchafilm,thetopofyourlungsarealsotopah.
Thefilmexploresthejusticeofthelawandthefreedomoftheindividual.Thewholediscussionisdoneinonescene.Thereasoninanarrowmonotonousstuffyroomshooting,butalsolettheaudiencewatchingthebreath,thekeyisinoneword:
MAYBE.
MAYBE,thatis,thatis,ahypothesis.IfXuXianbyLadyWhiteUmbrella,thereisno"WhiteSnake"hypothesis;thesetwelveindividualsbegantoagreewithalltheyouthguilty,thereisnonexttwelveangrymen.Thetwelvepersonisnotajudgeoralawyer,theydidnotneedtoprovethatyoungguilty,theythink,sotheboycouldsitchair;theythinkthatno,theyjustneedtofindoutthepossibilityofthejuvenileisnotamurderer.
Sothefocusofcontroversy,arearoundapossibility.Onemaybedenied,andthenextmayberaised.
Ifwecantoleratethepossibilitythatthereisnosuchapossibility,thenourpersonality,andperhapswillbemoresound.Youwantto,thechildrencamehomefromschoollate,parentsimmediatelydecidedtogo,sohehittheplanedelayedwhiplash;passengers,decidedthatsomeofficialswiththerightgasser,lifetowaitfortheplane.Thereisnosuchapossibility:
childrenencounterlovegirls,togo;donotflytheaircraft,becausethecaptainconstipationbutnotsaid.
Inthefilm,anangrymouthsaid:
thisboyisaslumgrewup,wherethechildwasbornbarbaric,fightingandkillingnohumannature,theboymustbeguilty.Whilehewasspeaking,allthemembersofthejuryhavegotupandleft,turnedback,exceptone,whoalsocan'tenduretheangrymansaid:
pleasesitdownandshutup.
Inotherwords,tojudgeaperson,whocannotbebasedonpersonalbias.Oncestubbornprejudice,itwillkillallthepreciouspossibilities,itwillbefairandfaraway,todespise.Americansareproudoftheirlawsbecausetheytolerateallkindsofpossibilitiesandgiveeachpersonthefreedomtomakeeverychoicepossible.
MAYBE,achance,achance.Manyloversbreakup,becausetheydonotbelieveitispossible,donotgiveeachothertheopportunity.Insomecountries,goodpeoplearenothappycausebad,donotgivetheopportunity,butbecauseofthejusticeoflawwiththelackofpersonality,moreandmorefarawayfromthepeople,leavingonlyafalsebalance,atthistimefortheopportunity,butalsodesperate.
Attheendofthefilm,twoangrymeninthecourtgateshookhishand,eachname.Andthenreturntothehouse,asifthepreviousargumentisjustalazyrainintheevening.However,Idonotknowhowmanyviewersintheirbacktosee,isthedignityofpersonalityindependenceandjusticehope.
十二怒汉观后感英文 Butthinkaboutit,oronlygavethreestars.
Why?
Becausethemovieisnotpure.Itisthethemeoftoomuch,theamountofinformationyouwanttoconveyistoolarge,althoughnotsodifficulttounderstandandaccept,buttheactualshotoutofthesituationismuchmoreconfusing:
thejurysystemquestionedtheoriginalLumetpreserved,influencetotheRussianChechenWarmentalityishestressed,thenthroughtoRussia'sdissatisfactionwiththestatusquoofthebeginning("streetsareMercedesBMWAudi,onlythreeminuteswalktothetheatreoftheroadeight"),thenarrativepartinvolvedeveryonewhenmixedwithtoomuchofeveryone'spersonalfeelings,almosteveryonesaidacasemaynothavewiththeirtherelationshipbetweenthepiece,andthentothecaseitself(becauseofasurgeininterestrelatedtoethnicissuesah)increasedthenumberofsuspensedramaelements,andfinallytoastrangemanfancy......WangYithinkthatthisversionthantheconceptionofLumethigh,oh,maybe,butwasnoteverything,althoughKharkovhasneverlethisfilmmetersoutofcontrol,butstillseemmessy,andthestrengthisascattered,feelingnomatterwhichthemesarefocusedonnotjustskimmingoverthesurfacelikethisinthepast.Nomatter-Ihateconceptionconceptionisnotinthewayofliteraturetodiscussthefilm,thefilmquality,whetheritistherhythm,focus,ornarrativecontrol,thisisalotlessthantheoldversion.
Thentalkabouttechnology.Whetherneworoldversion,isatechnologyverygoodfilm,butthedifferenceisthattheoldversionofthetechnology,withtheintegrationofnarrativeisverygood,whetheritistheopeningtracklengthmirrorbeautiful,ortoenterthespaceaftertheprecisepositioning,hadasuddenfeeling,andthenewversion,mostofthetime,letthepeoplethinkitisavirtuosotechnique--tryadecorative.Forexample,4edindogholdinghandsthroughthelens,inasense,canreduceatleastonce,alwaysrepeat,eventheflashinglightsofsuspense,tofinallywillmakepeoplefeelflatanduninteresting.
Watchthismovieshowsasense,nottheseafoodcookedtogether,calledseafoodandpoultry,orahodgepodge.
BythewayofMikhalkov,theSlavophilismheavydirector,isnowfamousRussiandirectorinoneofthelargest,butIamnotverylove,becausethatkindofSlavictastes!
Sometimes,inordertorenderthiscomplex,heiswillingtodestroythewholestructureofthefilm(Siberiabarber),sothatthemooditselfhasbecomeanindependentpartofthefilm.Whenitcomestoartisticconception,withthesameSlaviccomplexthanSokolov,farworse.
十二怒汉观后感英文 Idon'tknowwhentostart,whenupsetordepressed,Iusedtofindoldmovies,especiallyinblackandwhite,fromwhichgetquietandelegantisimportanttome.Whenthemovieisthemovie,everyword,everyshot,aseamlessheavenlyrobe.
Ifnotasummernight,infrontofthe12inchTV"murderintheOrientExpress",IamafraidIwillnotengageintheoccupation,soSidneyLumetonmyfilmconceptthatenlightenmentcanbeformed.Notonlyismyoccupation,Lumetoutlookonlifeenlightenment,thantheso-calledsupernaturalforcesofevil,Ifearmorecomplex.Sofar,IdonotdaretoreadthemurderoftheOrientExpress,theoriginal,evenifIhavereadmostofAgatha'sworks,forfearthatthetextwilldestroymyheartonthefilmversionofthefeelings.
"TwelveAngryMen"isakindofcouragetocash,HenryFondaagainstelevencompanionsofcourage,personalsubjectiveexperienceandattitudeagainstthetruthofcourage,fairnessandjusticeagainstselfcourage,Americanjudicialsystemandsocialharmonyofconfrontation,andofcourseLvMeiwillhavethecourage.
IfIintwelve,Iwillthinkwhatwhatlanguage,IamafraidthatIamgoingwithNingWangZongnotparanoid,orjustbecausethebadboywillaffectthesocietyandothers,sohewillbechargedtopreach.Thisisnotonlymyownnarrow,Ibelievethisistheso-called"goodman"narrow.
Heisgoodatasinglespace,refiningandperformanceindepthatminingandplayontheevent."TwelveAngryMen","summerafternoon","MurderontheOrientExpress"isasinglemainspace,singleandmultiscene,closedinterior,richimagesmayhavebeenthemaximumlimit,butthesefilmsareundoubtedlygood.Hitchcockwasregardedasamaster,heisoftenneglected,comparisonofproduction,thestyleisfixed,isprobablyLumet'slimitations,butIstillLumetgrievance.WhoboughtahomeonfilmcreationworksintheUnitedStates,itisapitythatEnglish,lazyIstillwillputontheshelf.
Ilovethosewhodonotshowoffthelensofthedirector,evenifIteachaudio-visual,butdonotthinkthataudio-visualshouldbeplacedabovethefilm,thefilmisstillmovingmethosecharactersandstories.SoIloveBillyWilde,IloveSidneylumet.MostoftheenclosedspaceisthesceneofstudioLumet'sstudio,buthealwayspreferstouseevenshortfocuswide-anglelens,especiallythe"OrientExpress",ifnotconsideringthelight,threefootpositionandspacedepthbackgroundthatreallymakespeoplethinkareal.Soisthe"TwelveAngryMen",usinglivesceneverywell,butheisnotveryrestrained,theexcessiveuseof"impossibleshots",getconsensusonlyattheendoftwelvejurorspickeduponebyone,hungintheclosetcoatslowlyoutofthelenswithdressingcabinetafewsuitstheprospectofjurytheyareleaving,finallyleavingHenryFondapickedupisstilllyinginthelastlikeastubbornchokedthesuitonthetable,puthimon,thisistheunderstandingandsupportbetweenmen.
Hewasrestrained,eveniftheopeningsecondisthroughthelensspaceandtheatmospheredesignoflonglenstypicalaccountcourt,untiloutofthecaseisstillthecoreofthefilmcourt.Butastheopeningisverysuitablefortheera,whichhasnofeelingsofinfatuationtomirrordirectorlong,comparedwithOceanWells's"touchofevil",thissceneactuallyhasbeenquiterestrained.
Hewasrestrained,hedidnotbecausethesinglespaceaddedinthetrialcourt,witnessesthef